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BLOODBATH: THE HALLOWEEN HANGOVER

Working Not Working November 4, 2015

BLOODBATH: THE HALLOWEEN HANGOVER


WNW Member #3808 Josh McKenna and Ed Tuckwell have planned a week-long exhibition which is being held at the fantastic Church of London’s 71a Gallery starting this Thursday, November 5th. It's not only a great location for an exhibition, but an established and respected agency within the creative industry. TCoL houses a gallery, bar, and shop space in the heart of Shoreditch, the stomping ground for all things creative. Josh and Ed have put together a killer line up of 30 artists, some of which include WNW Members such as Cachete Jack, Jamie Jones, Janne Iivonen, Sara Andreasson, Jordy Van Den Nieuwendijk, Ray Oranges, and Jonathan Calugi.

In Josh's words, "Bloodbath: The Halloween Hangover fuses an eclectic roster of established and emerging artists from all corners of the illustration underworld, in a bid to discect the uncanny, and explore all manner of weird and dark subject matter that keeps us up at night."

Prints and secret items will be up for sale, alongside a vibrant exhibition of poster art. So help nurse your candy hangover with a bit of art!


WHO: Co-organized by WNW Member #3808 Josh McKenna, and featuring 30 artists.

WHAT: Bloodbath: The Halloween Hangover is an exhibit of Halloween-inspired illustrations.

WHEN: November 5th-12th

WHERE: 71 Leonard St, London EC2A, United Kingdom

RSVP HERE


Are you a WNW Member with new work, exhibits, products, or news to share? Email us!


In EVENTS + CULTURE Tags Features, Featured, Josh McKenna, Events, London

OWN YOUR CAREER: NOVEMBER 4 & 10, NEW YORK CITY

Working Not Working November 1, 2015

OWN YOUR CAREER:
NOVEMBER 4 & 10, NEW YORK CITY


On Wednesday, November 4th, join WNW Members Archie Lee Coates IV, Rodney White, Carly Ayres, and Romain Laurent in a conversation about shaping your career path and finding a personal voice in a competitive, creative industry. WNW co-founder Justin Gignac will moderate the discussion as part of ongoing programming at JackThread's pop-up shop, The Spring. Light lunch provided by Black Seed Bagels. 

On Tuesday, November 10th, Justin takes the stage again, this time part of a panel about entrepreneurship, leadership, and innovation. He'll be joined by Phillip Krim of Casper, Christopher Altcheck of Mic, and Michael Rothman of Fatherly.

The Spring will be open until November 12th. Check out their full program lineup and remember, capacity is limited so be sure to sign up soon.


 

WHO: JackThreads

WHAT: "The Spring", Jackthread's first pop-up shop.

WHEN: November 4th / 1-2pm; November 10th / 6:30pm-8pm

WHERE: 43 Crosby Street, New York City

RSVP

Are you a WNW Member with new work, exhibits, products, or news to share? Email us!


In EVENTS + CULTURE Tags jackthreads, freelance, career, advice

PROFILES OF THE WEEK: NOVEMBER 2ND

Working Not Working November 1, 2015

PROFILES OF THE WEEK: NOVEMBER 2ND


Dana Brej, Art Director. New York.

Follow Dana on WNW

Marina Esmeraldo, Illustrator. Barcelona.

Follow Marina on WNW

Morihiro Harano, Director. Tokyo.

Follow Morihiro on WNW

Fiona Torre, Photographer. Paris.

Follow Fiona on WNW

Aaron Bouvier, Designer. Brooklyn.

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Genna Freeberg, Producer. Minneapolis.

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Aras Darmawan, Motion Designer. New York.

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Sean Barrett, Designer. San Francisco.

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Are you a WNW Member with new work, exhibits, products, or news to share? Email us!


In LISTS

SET THE WORLD ON FIRE: MACIEK JASIK

Working Not Working October 30, 2015

SET THE WORLD ON FIRE: 
MACIEK JASIK

By Claire Wasserman 


"I don’t always get away with what I want."

WNW Member and Photographer #3769 Maciek Jasik spends much of his days setting off fireworks and smoke bombs, all in the name of art. Maciek came from Poland to the United States at the age of six, sponsored by the Arkansas Catholic Church. He speaks deliberately, fully articulating his words in a way that English-as-a-second language speakers are apt to do. Maciek is equally thoughtful in his work. He is playful in his purpose, experimenting with color and light in novel ways. Just don't call it psychedelic.

Like so many in this community, Maciek's path to freelance photographer was nonlinear. Maciek attended Johns Hopkins for political science and pre-law, though any legal aspirations evaporated upon taking his first law class. He then became a writer and editor and soon found himself teaching English in Japan. While in Japan, Maciek says he became overwhelmed by being in such a visually stimulating environment, which lead in turn to the pursuit of photography. 

We spoke to Maciek about some of his favorite work, why he considers painting to be inspirational and devastating, and how he balances commercial work with personal projects. So much of what Maciek does requires his subjects' participation and a willingness to just 'see what happens.' However sometimes when there's smoke, there might be fire: “The second I got the image, the smoke alarm went off. I had to explain to the person I was staying with that there was no fire, that I was just shooting with smoke. Thankfully he was incredibly nice about and he really liked the image.” 

Follow Maciek on WNW

Are your parents in the creative world? Do they understand and support your decision to not be a lawyer?

I think my parents as immigrants tend to be practical and as the next generation I'm less practical. They both paint in their spare time but they chose to be much more practical. So when I first started doing photography, they were a bit skeptical. But once I showed how determined I was, and I started getting more commissions, I think they realized how real the situation was.



Is it important for you to be a freelancer rather than going in-house?

It's really important for me to be freelance to have the time between projects to develop my own projects or do research. There's more and more full-time work being done in photography, especially since more and more businesses like fashion houses develop their own in-house studios. But in a sense that's kind of a dead-end because once you decide to do that, you really have no other options. You don't have any other content really that you can provide. But I understand that certain people have economic constraints that force them into that position. There's no judgment made, but for me I don't see any way besides freelance to really be able to do what I want to do effectively.

How would you describe your own work? How have you heard it described?

I've heard it described in ways that kind of unsettle me. People say things like "psychedelic" which I don't see or understand. But I think it's an interesting aspect that when people are presented with vibrant color they react in a series of different ways. I use color because for me, it's very emotional. People have a very strong response to it, so I use color to make landscapes and faces and bodies surreal and different and unexpected. When I meet people, I tell them I work in color, and that seems like a very simple response to them. But as they soon see, it is much more complicated.



How has your photography evolved over time?

It took a really long time to go from being an amateur to I guess a professional. You go two ways: you either imitate somebody, or you try to do something different. Doing something different is far riskier, far more difficult. I think commercially it's much easier to say you're the poor man's David Sims or Steven Meisel but i think it's much more rewarding to do something on your own. So it took several years for me to come into my own. I started shooting my A Thousand Souls project, my color portraits, in 2009, and that was kind of my break into doing my own aesthetic. But it took a few years before that really caught fire and allowed me to do things either commercially or otherwise besides working on my own.



Do you dabble in film as well?

I was actually a double major in political science and film. My first obsession really was film. I'd watch two to three films a day for months. There was a period after school when I lived in New York and I watched I think a film every single day for a year. And then I got completely burnt out. And I don't actually watch that many films anymore.

But I've started making video. I made a skateboarding video in Los Anglees in an abandoned mall. We strapped fireworks to my friend's skateboard and we did all kinds of tricks. I'm starting to work in film, but it's a very different application. The way you approach still image versus moving image is so different. With film you're taking all of these pieces of a puzzle and putting them together, whereas a still image is the entire puzzle. You kind of have to rewire your brain. So I'm in the process of doing that.


What have you gained from your experiences shooting commercial photography?

Commercial photography has really taught me how to perform under pressure, to stay calm, to stay focused, to understand what shots you can get safely, what you can risk, what you can't risk, how to maintain your composure so no one has any idea how disastrous things could possibly be... And that's really taught me a lot and really helped me in my own personal work. 

What's your ratio of commercial work to personal work?

I used to have a ratio probably 95% personal, 5% commercial. Recently, I've become a lot busier, so it's probably been 95% commercial really. I've hardly had any time. I was traveling to London for Wired UK, I had a story for Huffington Post in Alabama, Fast Company in Phoenix. An ideal ratio is probably 50/50 but you have to just take what you can get, and when it rains it pours so I'm happy to work.





Some of Maciek's Favorites:




Claire Wasserman is the Director of Marketing at Working Not Working, based in New York and Portland, Maine. You can follow her on WNW and Instagram. Her last article for Free Range was an interview with Kat Gordon, founder of the 3% Conference.


In INTERVIEWS Tags Maciek Jasik, Photography, New York, Features, Featured, Audio, claire wasserman

MY BUCKET LIST: ASHLEY HUHE

Working Not Working October 28, 2015

MY BUCKET LIST: ASHLEY HUHE


Despite the million and a half things WNW Member and Minneapolis-based Designer #7098 Ashley Huhe has already accomplished, her bucket list runs deep. So be it, the life of an ambitious creative. We asked her to share the top things on her list and in true Type-A fashion, Ashley illustrated a whole bunch of them for us.

It got us thinking about our own bucket list, most of which erred more towards Octoberfest than Everest. But hey, if enough WNW Members want to go spelunking, we're down to organize it. You'll have Ashley to thank. 

Follow Ashley on WNW

Go Spelunking+Explore a Cave


Hike to Mt. Everest Base Camp


Fly a Plane


Sleep in an Igloo and Watch the Northern Lights


Learn to Do Sewn Book Bindings


Celebrate Oktoberfest in Munich


PERSONAL

Tell us about your background: Who is Ashley Huhe and how did you get here?

I was prophetically professed “Best Artist” in my High School yearbook from a whopping 150 people. Pretty embarrassing these days but my love of making things was always a part of my identity. No vote needed. After a 3-year stint at a public university where I studied abroad in England for a year (aka the best year of my life) I transferred to the Minneapolis College of Art & Design where I spent three years and a semester abroad at the Bauhaus in Weimar, unexpectedly falling in love with the German language in the process. I interned with Printerette Press and had a brief moment of letterpress love. I will always love print, always. I spent a semester interning with the French Alliance of Minneapolis / St Paul and The Thorburn Group after graduation. After graduation I decided to nip one of my bucket list items in the butt and headed to Germany for a year to be an Au Pair and work on my German skills. Upon my return I started to work at The Thorburn Group again. Getting to this point has been a whirlwind of adventure that influences my work in perhaps ways I might never realize.

 

We love your bucket list! You mentioned accomplishing the bucket list item of living in Germany. Any other bucket list items you've crossed off?

I have a ungodly long bucket list and it grows more than things get checked off. My proudest bucket list “check-offs” include:

1. Living and working abroad to learn another language. After graduating I moved to Germany to be an Au Pair for a year. I met some pretty awesome kids (and adults), experienced the culture pretty in depth, and I am able to carry a pretty decent conversation in German. It’s not fluent but it’s conversational :)

2. I have Norwegian, Czech, English and German roots and I wanted to be able to visit all of these countries. I accomplished this in 2013.

3. I’ve gone out to a nice restaurant for dinner alone.

4. I’ve written a short story.

5. I’ve picked grapes for a vineyard (and no I will never do it again)

6. Win a hula-hooping contest (Ok, I didn’t win but I got 3rd!)

 

What do you do when you’re not working?

I’m passionate about travelling and so I like to do that as much as possible. I also enjoy hiking and yoga but there are days, however rare, where I stay in, drink coffee, and watch Netflix. I also like to socialize with humans after working on the computer for hours on end.

 

PROFESSIONAL

What did you want to be when you grew up?

I actually wanted to be a Zookeeper primarily so I could bring baby animals that were abandoned home with me in the evenings.

 

Proudest career moment?

Being offered work right after graduation.

 

Biggest career challenge-failure-mistake?

I won’t get into the gory details but I learned not to internalise mean-spirited clients. And sometimes regardless of the client's decisions and wants ALWAYS get a physical mock-up from their printer.

 

BONUS ROUND!

Last three things you Googled:

1. Where the 2018 Winter Olympics will be held (it’s South Korea)

2. Kittens meowing and talking

3. Macy’s Thanksgiving Day Parade tips

 

Most significant creative influence, inspiration, or creative hero:

I think this is a melting pot of a couple things. First off travel is my most creative influence but with that comes many things like being outdoors and the textures, colors and shapes of nature. Also, being immersed in another culture and other human lives invigorates the mind and presents some of the most subtle changes in thought patterns that can make all the difference to a creative thought.

 

Current songs on repeat:

"Wenn sie kommen" - Namika

"Not On Drugs" - Tove Lo

"Christine (Tilted)" - Christine & The Queens

 

Favorite quote:

Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?”

-Dumbledore / J.K. Rowling

 

Advice you’d give your high school self:

Work hard but don’t stress out so much -- it’s going to work out.

Also please don’t try Snus and definitely don’t do it twice -- it’s not going to be less potent in another country and you WILL throw up.

 

Two truths and a lie:

1. I’m allergic to horses

2. I’ve rode camels and slept in a tent in the Moroccan desert

3. Astronomy was the least useful class I took in College - Lie, it’s been one of the most useful as far as spewing random information out at people.

 

WNW Member whose work you admire and why:

Annie Ulku - Minnesota girl with some mad illustrative style and type skills


Got a bucket list you'd like to share? Email us!


In INTERVIEWS Tags Ashley Huhe, Designer, Minneapolis, Features, Featured

PROFILES OF THE WEEK: OCTOBER 25TH

Working Not Working October 25, 2015

PROFILES OF THE WEEK: OCTOBER 25TH


Alison Hess, Copywriter. Brooklyn.

PROFILES_Oct26_01.jpg
Follow Alison on WNW

Anne Ulku, Designer. Minneapolis.

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Alexi Hobbs, Photographer. Montreal.

PROFILES_Oct26_03.jpg
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Guy Seese, Art Director. Seattle.

PROFILES_Oct26_04.jpg
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Elysse Ricci, Designer. Philadelphia.

PROFILES_Oct26_05.jpg
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Benjamin Simon, Illustrator. Trier.

PROFILES_Oct26_06.jpg
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Mike Haggerty, Art Director. San Francisco.

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Roxy Prima, Designer. San Diego.

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Are you a WNW Member with new work, exhibits, products, or news to share? Email us!


In INTERVIEWS

THE LATEST IN FREELANCER FASHION

Working Not Working October 25, 2015

THE LATEST IN FREELANCER FASHION

WORKING NOT WORKING

 

The ultimate in freelancer fashion, Hustling Not Hustling is the second in our series of member-designed shirts and sweatshirts. We started strong with WNW Member Jen Mussari's "Working Not Working" design, so we knew the follow up also had to hit it out of the park. The mantra of many, Hustling Not Hustling is designed by master hustler and WNW Member Juan Carlos Pagan. We spoke to him to learn more about the inspiration behind the design, his career path and other hustlers he admires. 

This design is only available until November 6th so don't wait, hustle over now to Cotton Bureau to snag yourself some swag. 

follow Juan Carlos on wnw
 

Hey JC! Tell us about your career, how'd you get here?

I’ll try to keep this short. I interned everywhere during college. Anyplace that would have me I would work at. I graduated from Parsons School of Design in 2006 with a BFA in Communications Design. The gracious Kurt Haiman took a chance on me and offered me a designer position at G2 Branding & Design. I’ll forever be grateful to Kurt for that. I really cut my teeth at G2.

That lasted for about three years until I made the move over to MTV. Around the same time I found that I was lettering a lot in my freetime, and this growing obsession with typography led me to do my postgraduate studies in typeface design at The Cooper Union. Working at MTV was a really wonderful and experience. I was one of the founding members of the Scratch team, and the culture there was really great. I’m still friends with many of the people I worked with at MTV. They were super flexible with my schedule, which was important to me since I was back in school part-time.

After about 2 years I had completed my studies, and I was given an opportunity to work with Matt Eastwood and Menno Kluin. They had asked me to head up the design department at DDB New York, and I accepted. That turned out to be a very special time. No one was expecting anything out of DDB which I found liberating. Since nobody was paying attention at first, we made a ton of work. Most of which I’m really proud of. I was able to infuse a lot of the projects with custom and experimental typography. I collaborated with some of my friends, and I was able to hire Illustrators and photographers that I had admired from afar. Needless to say I was given a lot of freedom, and I really grew during that time.

I was also steadily freelancing on the side during that time. Doing a lot of design work and lettering for the New York Times magazine, ESPN Magazine, and PRINT magazine, Not to mention the occasional identity and logo projects. I even opened up a small design studio and boutique type foundry with WNW Member Lucas Sharp aptly named Pagan & Sharp while I was at DDB. Recently I’ve taken the Design Director position at 72andSunny New York which I’m very excited about. Sorry that wasn’t short. I really tried.

 

How would you define hustling?

I would define it simply as working very hard, and getting paid to do the thing you love, but I would be remiss if I didn't cite “Bucky D” who I think perfectly captured the notion of hustling when he published the definition back in 2005 on Urban Dictionary:

“Anythin you need to do to make money... be it sellin cars, drugs, ya booty. If you makin money, you hustlin. I been workin two jobs, tryna stay on my hustle and make this money, na mean?"
-Bucky D, December 24, 2005

 

What was the inspiration behind this design?  

The Hustling Not Hustling lettering was directly inspired by neon signage. Working late at night is nothing new to creative folks, and the connecting monoweight neon sign look is one that is clearly representative of the late night hustle.

 

Which piece are you getting? 

The Pullover Crewneck. Winter is coming.


 

Who are some fellow hustlers you admire?

I’m really fortunate in that many of my friends happen to be some of the most talented and hard working people around. Folks like WNW Members Shane Griffin, Rich Tu, Ahmed Klink, Alex Trochut, Kelsey Dake, Craig Ward, and Bruce Wayne. I admire them all for different reasons.

 

There are so many amazing hustling references in pop culture. Any favorites? 

This.

 

What do you do when you're not hustling?

Probably running, or being a wino.

 

Juan Carlos' Greatest Hits

"Bat I designed with WNW Member Kevin Cantrell for Nike's Perfect Game, all American classic, home run king bat trophy. Inspired by old world typography that imbues the spirit of baseball, an illustrative, typographic treatment was created that envelopes the entire circumference of the bat." 

 

"Custom numbers and poster for Print Magazine's April 2012 New Visual Artist 20 Under 30 issue. The numbers themselves needed to act as windows allowing Print magazine to showcase the work of all 20 winners on the cover at once. Each number was then designed and constructed out of 5 individual pieces. This gave them the ability to assign a section of any given number to a winner in order to highlight their work through. This solution lent itself nicely to some Op Art moments, giving the numbers dimension when used flat."

 

"Custom Logotype & Identity for Pinterest"

 

"Malleable Grotesque is a 7 weight 15 font family which explores the soft nature of metals when exposed to high temperatures."

 

"Designed and produced the 2014 award cube for ADC Young Guns (YG12). The cube is solid 3.5" acrylic, laser-etched on all sides. The front side of each cube carries YG12 branding, and as the cube is rotated the other sides are etched with an A, D, and C (containing ADC branding). The 31 cubes were then hand-polished before being handed out to the winners at the ADC on October 9, 2014."

 

"ADC 91st award Annual, Illustrated by the wonderful Rami Niemi. It was the last ever printed ADC Annual."

 

"Lettering for Create for a Cause. An effort to crochet scarves, gloves and sweaters for the under privileged. The lettering was made from crochet."

 

"New York Lottery’s 2012 out-of-home holiday poster campaign. The typography was created using real Christmas lights."

 

"I was asked to design a custom 200,000 to commemorate the ADC reaching 200,000 followers on Facebook."

 

Hustling Not Hustling is only available until November 6th so hustle over to Cotton Bureau before they're all gone.

 

In INTERVIEWS Tags Cotton bureau, swag, merchadise, hustling not hustling, Juan Carlos Pagan

WE RODE, WE TOURED, WE DRANK: EVENT RECAP

Working Not Working October 23, 2015

WE RODE, WE TOURED, WE DRANK:
EVENT RECAP


When tokyobike offered to lend us a bunch of bikes, we immediately said yes. Our first thought was to organize a pub crawl but quickly realized that might not be the best idea. So instead, WNW Member #7139 Ken Kirton (of studio and publishing house Hato), helped put together a bike tour of some of East London's most creative shops. A handful of members enjoyed a Friday afternoon of leisurely biking with an exclusive behind-the-scenes look into Kit Neale, Hato, Studio Manifold, It's Nice That, and Michael Marriott. There was also the obligatory bakery stop for some mid-ride refreshments. But no WNW event is complete without a celebratory drink so the day ended at Strongroom Bar where everyone raised a glass to zero bike injuries. We spoke to Ken to hear how it went.  

A big thank you to all of our riders, everyone who opened their doors, the weather gods for not raining, and of course to tokyobike, for strengthening our members' leg muscles.

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What did you see at each place you visited?

Kit Neale: Saw their newest fashion collection from in their pop-up shop in Shoreditch.

Hato: The shop, workshop area, printing press and design studio. Demonstration on Riso printing. Stop off at Fabrique, a Swedish baker for cardoman buns.

Manifold: Matt took us through everyone's practice of their collective. Very hands on and refined ceramicist and makers. 

It's Nice That: Lights off for their presentation and beers.

Michael Marriott: His workplace and discussions on the importance of a workshop and how a studio space can effect one's practice. 

Any mishaps along the way? Did anyone fall of their bike or get separated from the group?

Sadly. Or thankfully no!

How would you characterize East London's creative scene? 

Extremely vibrant and varied. Not only facilitates agencies of all sizes from 500 to 1, it's also a host for artists and craftsmen / makers. 

It was great to work with you, Ken. What do you have planned next for Hato?

It's always great to collaborate with other energetic and driven organisations, WNW certainly being one of them. With WNW we hope to begin to connect with more marketing and advertising agencies on a global level to deliver bespoke learning experiences and workshops for their clients. In doing so we'll also need to expand and condense our team and view WNW as a fantastic resource of talented individuals that will be able to help Hato grow. 

Aww thanks! You're making us blush.

IMG_8412.JPG

Interested in hosting an event for the WNW community? Email us!


In EVENTS + CULTURE Tags Tokyo Bike, Ken Kirton, London, Studios, Creatives, Features, Featured, Events

HOW NOT TO BECOME A MORTICIAN: KYLE TEZAK

Working Not Working October 21, 2015

HOW NOT TO BECOME A MORTICIAN:
KYLE TEZAK 


When we learned that WNW Member #3829 Kyle Tezak comes from a family of morticians, we had to interview him. Despite their 100 years in business, Kyle broke with tradition and decided to become - gasp! - a graphic designer. Growing up around death had a unique influence on Kyle's creativity; he tells us that it helped him develop into a "well-rounded person." However it's not all morbid; it turns out morticians have a (dark) sense of humor, "As a mortician, you're always wearing a suit. So it's not unusual for someone to come up to my Dad and ask him to help tie their tie. He always responds with 'Sure, can you lay down?'"

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Tell us about your background: Who is Kyle Tezak and where did he come from?

I’m a freelance graphic designer living in Minneapolis but I’m originally from Joliet, IL. An old steel mill town about an hour south of Chicago. My family has operated a funeral home there since 1908.

 

What was it like growing up in a family of morticians?

As a kid, I didn’t know it was unusual. My siblings and cousins and I would be running around the funeral home playing tag while my dad was embalming someone in the next room. I started working there when I was 14, cutting grass, picking up the deceased from the morgue, answering the phone, just about anything you didn’t need a funeral director’s license to do. It wasn’t something we were sheltered from. I actually think being around death a lot as a kid has helped me develop into a well-rounded person.

Was there pressure to go into the family business?

There was indirect pressure. Like “you can do anything you want but I sure hope this business that’s been here for 100 years won’t have to close its doors” sort of thing.

 

How did you become a designer and what did your parents think when you didn’t go into the family business?

In college I jumped from business (terrible) to architecture (hard) to design (awesome). The school didn’t have the greatest design program but with a lot of hustle and a little luck I was able to land my first design job at a little firm in Chicago.

At the core of it, my parents were always supportive. Especially when I actually started making a living as a designer. Thankfully my little brother and cousin became morticians a few years ago so the business will be around for at least one more generation and now I’m off the hook.

 

We noticed Tezak Funeral Home has a Facebook Page. What's the marketing/branding strategy of a funeral service? Did they ask you to design their website?

I don’t actually know much about their approach to digital marketing. I’ve done a few little design projects with them in the past but in my case, I like to keep family and work separate. Also, the funeral business is completely dependent on personal, local relationships so they try to support other Joliet businesses as much as they can. Being a presence in the community is their most effective marketing strategy.


Mezzo 200 (Identity, Event)

What drew you to it/why did you say yes?

I’m always looking for opportunities to work with my friend and industrial designer, Noah Lambert. When he came to me with the idea I was sold from the beginning.

 

What inspirations helped inform your work?

The event was modeled after classic road races like the Mille Miglia and the Targa Florio. Back when driving was called motoring.

 

Hardest part?

The design was easy because I basically had complete control. Actually organizing the event and coordinating with the city was the hard part. Luckily none of that was my job.

 

Thing you're most proud of?

I really love how the posters turned out and being a local event, they were actually pretty effective in getting people signed up.


Kitchensurfing (Identity)

What drew you to it/why did you say yes?

I love food.

 

What inspirations helped inform your work?

The aesthetics of a clean kitchen. Hokusai’s “The Great Wave”.

 

Hardest part?

The logo the client chose wasn’t originally my favorite but I actually think they made the right choice. It just took me a little while to come around.

 

Thing you're most proud of?

I think Kitchensurfing’s Director of Design, Ron Goldin, did a great job managing his team’s feedback and distilling it into something actionable that I could use.


Brand Deck (UI/UX, Packaging, Identity)

What drew you to it/why did you say yes?

It was an internal project at Simple Honest Work and was my first opportunity to participate in a Kickstarter campaign.

 

What inspirations helped inform your work?

We were inspired by our evolving process when branding companies. The deck was developed as a way to help clients articulate who they wanted to be.

 

Hardest part?

This mostly fell on Scott Thomas, my boss at the time, but sorting out all the logistics of producing and shipping all these decks was tough.

 

Thing you're most proud of?

This was truly a team effort and everyone at SHW worked their butts off on it.


Yo-Yo Ma (UI/UX, Identity)

(DISCLAIMER: This project was a concept only. I left my old firm halfway through and they ended up going in another direction. That sort of struggle might be familiar to a lot of designers.)

What drew you to it/why did you say yes?

Yo-Yo Ma is such a positive force in the world of music, art education, and culture. It’s great to work with someone like that.

 

What inspirations helped inform your work?

Yo-Yo’s music.

 

Hardest part?

I ended up leaving the Simple Honest Work in the middle of this project. This work is just a concept and was sadly, never produced.

 

Thing you're most proud of?

Getting to hang out with Yo-Yo Ma!


BONUS ROUND

Proudest career moment:

Honestly, just being able to make a living doing creative, fulfilling work. There are so many jobs that leave you empty at the end of the day and I’ve been able to escape that.

 

Biggest career failure:

I did an ad for this pesticide spray used on lawns that was known to kill honeybees. I’m an avid gardener and my wife is an ecologist so it really ran contrary to our beliefs. I was working at an ad agency at the time and didn’t have the guts to say I wanted off the project.

 

What do you do when you’re not working?

I like to read science fiction novels, dig around in my garden, and cook. My wife and I are trying not to eat meat anymore so we’ve had to learn how to get creative in the kitchen.

Last 3 things you Googled:

Mille Miglia, Peeponics, Free Business Card PSD Mockup

 

Significant creative influence or inspiration:

I love the work of Ladislav Sutnar. His design holds up as well today as it did 80 years ago.

 

Current song on repeat:

I’ve been listening to Bo Hansson’s 1970 album, Music Inspired by Lord of the Rings. Stay with me! It’s not as bad as it sounds. It’s this weird, funky, Swedish instrumental prog rock thing and I just can’t get enough of it.

Favorite quote:

“Fools make feasts and wise men eat them.” – Benjamin Franklin

 

Advice you’d give your high school self:

Wearing flip flops, cargo shorts, and a key lanyard is not a cool way to dress.

Two truths and a lie:

My sister is a great photographer.

My Great Grandmother was the first licensed female mortician in Illinois.

I’m really good at math.

 

WNW members whose work you admire and why:

Shoutout to my design buddies Darrin Higgins, Eileen Tjan, and Alex Griendling who all do incredible work and are nice people.

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In INTERVIEWS Tags Kyle Tezak, Designer, Features, Featured
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MORE THAN YOU COULD EVER WANT TO KNOW ABOUT NICHOLAS FELTON

Working Not Working October 18, 2015

MORE THAN YOU COULD EVER WANT TO KNOW ABOUT NICHOLAS FELTON


Before Fitbit, there was the Feltron Report. Starting in 2005, well before the popularity of self-moniteering devices, WNW Member #8275 Nicholas Felton tracks, quantifies, and designs a yearly data visualization of, well, himself. Named the Feltron Report (a sort of nod to appearing more corporate), Nicholas organizes his life into quarters, accounting for his computer, location, environment, car, media consumption, sleep activity, and physiology. The result is nothing short of astounding. (MoMA seems to agree.)

Ten years later, Nicholas was the lead designer on Facebook's timeline and has helped launch Reporter, an iPhone app designed to record and visualize subtle aspects of our lives. Nicholas recently released his most recent Annual Report, which is apparently also his last. In light of what may be the Final Feltron, we spoke to Nicholas about his extremely personal project. 

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How did you determine what to analyze? 

Over the course of this project curiosity has compelled me to collect lots of nearly unknowable information about myself. I tend to pick metrics that I find personally compelling, but that are mysteries to nearly everyone… like how far I travel in a year or how many cups of coffee I consume. As the project progressed, I also discovered areas of interest that resisted simple or even brute-force collection. The challenge here is to develop a methodology for collection that will give high quality results and be workable for a year. To capture mood data about myself, I wound up devising an online survey that others would complete to record my behavior. In 2012 I commissioned a random-sampling iPhone app that I worked beautifully and I ultimately released it publicly as Reporter.

 

What you've learned about yourself when putting the reports together? 

The most obvious thing I’ve learned about myself is that I have a high tolerance for labor-intensive past-times like data collection. I don’t tend to be too surprised by the findings of my reports. In fact, if I find something surprising in my analysis, it typically means that I’ve made a mistake somewhere. The awareness of everyday activity required for its capture means that I typically have a good sense of the things I investigate. One item that did surprise me was when I looked at my social contact by days of the week. By looking at my year through this different lens, I could see how each of my time with each friend was clustered around a particular day of the week, like Friday for my girlfriend or Wednesday for my business partner.

 

How have you seen yourself change over time? 

One of my priorities with this project has been to capture my year with high fidelity without affecting my behavior too much. As a result, behavior change has been hard to notice and to optimize for behavior change I would probably want a much faster feedback loop than once per year.

 

Why did you decide to sell the reports? 

I decided to try selling the reports in 2007. This was the third edition of the project and the second year I produced a printed version of the project. Charging for the reports was an experiment to see 1) if I could recoup some of the production costs and 2) how desirable of an object the report was. Fortunately I sold plenty of copies that year and with an audience willing to support the project I have been able to improve the production quality year over year.

 

Does the content influence the design? 

The design of the report is always in service to the content. I am never satisfied until I feel that I've squeezed all the possible stories out of my data. The challenge is to find ways of linking the entire document together while also serving each angle of the data. Some years, the layout becomes more consistent to allow comparison from page to page (e.g., 2014 or 2011) while other years my desire is to delve deep on a facet of the data and develop custom visualizations for each page within a repeating layout (e.g., 2013 or 2012).

 

In publishing the reports, have you felt exposed? Did you ever hesitate to share all this information about yourself?

Fortunately, I am the researcher, designer and editor of my reports, so if anything is revealed, it’s because I want it to be there. I am transparent to a point, interested in showcasing my best attributes and certainly willing to make a joke at my own expense from time to time.

 

Are there things you've been tempted to track but ultimately decided not to? Why?

There are things that I’ve tried to track and failed at. Frequency is this discipline’s best friend… so when things happen irregularly it is hard to remain diligent and record them. I remember one year, I wanted to track all the pills that I consumed. The problem is that I don’t take vitamins really only take pills infrequently. A few weeks into the report I took an Advil but forgot to record it because I wasn’t trained to recognize it. A few days after I took the pill, I remembered that I was meant to log it and decided that the data was already corrupt and that I shouldn’t capture it.

 

Why is this the last Report?

There are three reasons why this is the last one:

1. I think that if you go past 10, you have to commit to another larger number like 20 or 25… stopping at 11 is not an option.

2. The reports take longer and longer to create. I always felt that there was no point in releasing an edition unless it was better than the last one. Unfortunately, this has meant that they take longer and longer to create and I’m now into the tenth month of the year before a report is finished. If I was to do one more, it would take longer than a year to produce and start causing real problems.

3. I have worked towards this report being the last one for a few years. The ninth report set this up by wrestling with the most ambitious topic I could imagine… capturing and evaluating my communication. Beyond that, I can’t think of anything more complicated that could be reasonably recorded. Now, with the final edition, I am able to revisit what is possible without doing much that’s out of the ordinary. By using only consumer apps and devices, I can evaluate the fidelity of personal data today and illustrate how far technology and society has moved since the inception of this project.


The Final Feltron Report


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In INTERVIEWS Tags feltron report, data visualization, infographics, design, nicholas felton

PROFILES OF THE WEEK: OCTOBER 19TH

Working Not Working October 18, 2015

PROFILES OF THE WEEK: OCTOBER 19TH


Natalia Stuyk, Animator. London.

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Christian Carlsson, Designer. London.

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Tim Boelaars, Designer. Amsterdam.

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Vero Escalante, Illustrator. Buenos Aires.

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Gautam Dutta, Illustrator. Los Angeles.

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Robert Whitman, Photographer. New York.

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Robert Wallace, Director. London.

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Jula Boehm, Art Director. London.

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Are you a WNW Member with new work, exhibits, products, or news to share? Email us!


In LISTS Tags Creatives, Freelancers, Features, Featured

DREAMS RECLAIMED: JEFF SCARDINO

Working Not Working October 16, 2015

Every creative has that one dream project that may take years to come to life. And what a feeling when that moment finally arrives. For WNW Member #4183 Jeff Scardino, that moment is now. "Dreams Reclaimed", a new ad for Aetna, stems from an idea that has been Jeff's baby for years. It began to take shape when Jeff researched his dad's newly diagnosed sleep apnea. He learned that with certain sleeping conditions, "You’re never able to hit REM because you are constantly waking up even though you don’t realize it. This stuck with me. What would it be like not to dream? Does it even matter?" By recreating the first vivid dreams that three individuals have had in years, after finally receiving treatment, Jeff documents their dreams reclaimed, as well as his own.

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Tell us a little bit about yourself, and your background as a copywriter.

I’ve worked in NYC for my whole career at such places as R/GA, DDB, and Ogilvy. Currently I’m freelancing. I’ve had the pleasure to work on some interesting brands like Tropicana, NY Lottery, Amnesty International, and IKEA. I also teach at Miami Ad School, and I’m an FWA Mobile judge.  

 

This new Aetna ad is trippy. What was your role, and how did it come together?

So this idea was my baby. I had been trying to get it made for years. I first came up with it when my dad was diagnosed with sleep apnea. At the time, I didn’t know much about the disorder. I just knew his snoring echoed throughout the whole house. For treatment, he received a CPAP machine that he wore only one time before refusing to use it ever again. So I decided to do research in hopes of convincing him that he needed it. In my search, I found a study that showed sleep apnea can cause you to have low dream recall and even cause you not to remember your dreams at all. This is due to the fact that you’re never able to hit REM because you are constantly waking up even though you don’t realize it. This stuck with me. What would it be like not to dream? Does it even matter?

When I dug deeper, I found that dreams have a healing power. Our subconscious uses dreams to solve problems and allows you to visualize memories that are buried.

Dreams are something we take for granted. My dad didn’t think twice about the fact that he couldn’t remember his dreams for years. There are a lot of health risks associated with not getting healthy sleep, but this was more of an emotional angle. One that could truly make people think differently.

So I thought what if I took people who suffered from a sleeping disorder and had them record their first dream after treatment. This being the first vivid dream they’ve had in years. And then took those dreams and recreated them in a film. It would be a powerful piece that would start conversation and make people think, “When was the last time I dreamt?”

I created and oversaw every aspect of this project working hand in hand with my CCO.

How do you go about writing someone else's dreams?

We started with hundreds of people who suffered from a sleeping disorder that caused them not to remember their dreams. The pool was whittled down based on a series of interviews. The final ones were selected based on their first dream. We wanted to tell three distinct stories that evoked three different emotions.

Each person was only able to record a nugget of their respective dream. So we had to learn as much as we could about them and their lives in order to piece together why they dreamt what they dreamt. This was fun. We had complete freedom in recreating these dream worlds. But we wanted to ground each decision in reason.

Do you dream a lot? What's your weirdest dream?

I do dream a lot. And ever since I started this project I have been writing down my dreams. I’d say the weirdest one I’ve had lately involved me trying to keep my family alive in a zombie apocalypse. And the zombies were all people I’ve met throughout my life. Probably a deeper meaning for me trying to move forward. Or I just watch The Walking Dead too much.

 

Which project throughout all of your career highlights are you proudest of?

I think every project you’re able to produce brings pride of some kind. Probably because it’s so hard to make good work. There are so many hurdles that get in the way. But I would have to say finally making this film is one of my prouder moments. Every creative has that one idea they carry with them from agency to agency, brand to brand, trying to get it made. And this was mine. Also being able to make something so conceptual for a brand like Aetna is a huge win.

 

What advice would you pass on to your high school self?

Don’t eat so much Taco Bell. It will permanently damage your digestive system.


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In INTERVIEWS, WORK Tags Jeff Scardino, Copywriter, Dreams, Aetna, Passion Project, Features, Featured

Image by Jessie Farris

WHO'S IN YOUR TRIBE? DESIGNER VACA 2015

Working Not Working October 14, 2015

WHO'S IN YOUR TRIBE? DESIGNER VACA 2015


Last week, we checked out Designer Vaca, an anti-conference where Designers from all over the globe meet at the Ace Hotel in Palm Springs to relax and share experiences, knowledge and inspiration sans the screens. The getaway’s agenda is intentionally loose to allow for adventures in the desert and a lot of conversation (and cranberry margaritas) by the pool.

It was rad to have WNW members like Lia Napolitano, Kelsey Dake and Timoni West in attendance. WNW Member Jessica Hische had a playful but honest Q&A session about being a badass lady creative and the power of saying no to work that doesn’t push you forward.

At a time when there still seems to be a lot of emphasis on “Women in Tech” or “Women in Advertising”, it was nice to spend a few days surrounded by creatives who wanted to get to know and learn from each other as artists and entrepreneurs. They also just so happened to all be women. And yes, stories about balancing career with motherhood were exchanged but so were stories about multiple revenue streams, attracting your dream clients and how much to charge for your work.

Maybe the most successful conferences are the anti-conferences. Maybe the best way to resolve the hardships that women face in this business is to bring together a group of industry leaders in the desert with a few blank sketch pads and a few cocktails, and let the work speak for itself.

A big welcome to all of the new WNW members that we met at Designer Vaca. We are happy to have you!

- Ashley Nowicki, Director of Talent at Working Not Working


Photos by Michelle Kim

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Designer Vaca x Working Not Working 

Jillian Adel

Kelsey Dake

Jessie Farris

Kelly Green

Jessica Hische

Thea Kennedy

Angel Kittiyachavalit

Jaclyn Lee

Lia Napolitano

Tina Nowle

Roxy Prima

Kathryn Proulx

Tündi Szász

Timoni West

Kate Wong


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In EVENTS + CULTURE Tags Designer Vaca, Events, Features, Featured

ART OPENING: SOLD OUT, PORTLAND

Working Not Working October 13, 2015

ART OPENING: SOLD OUT, PORTLAND


Don't let the title fool you, tickets are not sold out.

WNW Members #1995 Mark Richard Miller and #2024 Dave Franzese, also known as the creative team Dark Igloo, have an exhibit titled Sold Out opening at FISK in Portland this Friday at 8PM. If you're in the area, make sure to swing by and check out Dark Igloo's signature nostalgic absurdity.

Fisk gallery

WHO: Dark Igloo (Dave Franzese & Mark Richard Miller) are a creative team based in Brooklyn, NY. Best friends and collaborators for nearly a decade, their studio’s output is characterized by a dedication to personal initiatives. A shared vision, complementary skills, and evolving interests have lead to a portfolio that spans illustration, photography, animation, video games, sculpture, and fart jokes.

WHAT: SOLD OUT is a portal to the nostalgic and absurd. Where upgraded ephemera, original works, and interactive installations hang out side by side. Details are exaggerated, the lowbrow is put on a pedestal, and the surreal is made real, framed, and sold.

WHEN: Opening is October 16th at 8pm / Open from October 16 to November 15

WHERE: FISK Gallery -  3636B N MISSISSIPPI AVE — PORTLAND, OREGON 97227

HOW: No RSVP necessary, just show up fashionably on time

WHY: Dark Igloo ... isn't that enough?


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In EVENTS + CULTURE Tags Dark Igloo, Mark Richard Miller, Dave Franzese, Events, Features, Featured

WNW BIKE RIDE & DRINKS: OCTOBER 16, LONDON

Working Not Working October 11, 2015

WNW BIKE RIDE & DRINKS:
OCTOBER 16, LONDON


Attention all of our London friends, we're back in town! Well, sort of. WNW Member #7139 Ken Kirton leads the way on an exclusive tour of some of East London's most creative shops. We're kicking it off at tokyobike Shoreditch (where you might remember we'd hosted a little gallery show back in June for member Jay Wright), where they will provide bikes for up to 15 members. The stops on the tour include Kit Neale, Hato, Studio Manifold, It's Nice That, and Michael Marriott. 

Can't make the ride? Meet us for drinks instead at Strongroom Bar at 6:30pm, open to everyone.

RSVP

WHO: Members and friends

WHAT: Bike ride & drinks

WHEN: Friday, October 16th. Bike ride at 2pm; drinks at 6:30pm.

WHERE: Bike ride: tokyobike, 87 Tabernacle St. Drinks: Strongroom Bar, 124 Curtain Road

RSVP: Be sure to register soon as bike ride is limited to 15 members. 

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In EVENTS + CULTURE Tags bike, london, drinks

MANAGER PROFILE: ANNA CHARITY, HEADSPACE

Working Not Working October 11, 2015

MANAGER PROFILE:
ANNA CHARITY, HEADSPACE


Headspace, founded in 2010, is a digital platform that provides guided mediation sessions and preaches the importance of health and mindfulness. Another way they put it: a gym membership for your mind. For the many of us who struggle to maintain a balance between work and life, Headspace offers a useful tool, and an opportunity to recenter. We spoke to Headspace's Head of Design, the aptly named Anna Charity, to find out what it's like to work for a company whose main goal is "to improve the health and happiness of the world."

We asked Anna what Headspace looks for in the creatives they hire: "They say you’re only as good as your next piece of work. But what about the work you’ve done that you’re not necessarily proud of? And how has that led you to making better decisions? We don’t see enough failure in portfolios. But it’s that contrast that makes someone’s body of work rich. It’s the cracks that add weight, worth, value and personality to a portfolio."

In keeping with the balance that Headspace promotes, we made sure to also find out what Anna focuses on in her free time: "Music in its many forms. Listening to it, seeing it live. I’d say most of my drive comes from music and has ultimately shaped my passions, interests, [and] beliefs."


Tell us a bit about your background and career journey.

I always fancied myself as a musician but being adept at the oboe was nowhere near cool enough for me! Thankfully I had another outlet, which was art. After a year in college in the depths of the Welsh valleys, I ventured down to Brighton (UK) to do a degree in illustration. I think I became quite disillusioned with the idea of being an illustrator. And the fact was, I couldn’t envisage getting a steady wage packet from it! But whilst I was at university I became interested in other areas, such as animation and design. I loved the process of thinking in narratives and seeing illustration being brought to life. I also loved the problem solving aspect of design and after graduating I enrolled in a traineeship in interactive media to learn the ways of the web. So I ventured down to London and started working at a digital production company called specialmoves, getting my teeth sunk into web design and animation – when Flash was all the rage! Since then I went on to freelance for various agencies and production companies such as B-Reel and The Mill. A year ago I moved stateside to LA where I now work for Headspace. 

 

How did you end up at Headspace?

I was introduced to Rich Pierson and Andy Puddicombe (the co-founders of Headspace) by someone I freelanced with at B-Reel in London. Back then Headspace existed mainly as an events company but wanted to reach a larger audience, so I was initially brought on to design the first version of the app and to develop their already existing brand. Following that, I took a sabbatical and embarked on a 9 month trip around South America, returning to Headspace full-time. That was three years ago and I’ve since been involved in a re-brand and the launch of V2, which is the current version of the app.

What’s your favorite part of the job?

Being part of a project whose main mission is to improve the health and happiness of the world and to be entrusted with developing a brand that literally makes a huge impact on peoples' lives is pretty awesome. I’m super lucky to be working with a brilliant team of talented and inspiring people. And it’s not very often you work on a brand where you’re given creative free reign and the support to realize ideas, no matter how off the wall.

 

What’s your creative outlet?

Music in its many forms. Listening to it, seeing it live. I’d say most of my drive comes from music and has ultimately shaped my passions, interests, beliefs etc. But apart from creating 46-hour playlists, my outlets lie in the usual arenas of most creatives - traveling and exploring different cultures, reading of books, art, history, architecture, conversation, curiosity – the list could go on! I recently visited New Orleans and was hugely inspired: the history, the music, the food, and the architecture. It’s such a rich, soulful and rhythmic place where music informs everything. The thought of working there remotely has crossed my mind, but I fear I would melt in the intense heat and humidity!

Describe Headspace in 3 words.

Innovative, playful, curious.

 

What qualities are most important in a prospective freelancer?

Inquisitiveness, charm, passion, ambition and of course talent. We have values as a company, but what are the individual’s values? How can their insights and opinions inform and enhance the brand? Whilst at the same time having a sensitive approach and understanding the needs of a brand?

 

Which social networks do you prefer for stalking people, creative or otherwise?

I don’t tend to do a whole lot of stalking besides checking out a portfolio. It’s the work I’m mostly interested in. Though if they have an Instagram account I’ll usually take a peek at that. And if they have a Spotify account, all the better – I love nosing through peoples playlists! 

What are you looking for in a portfolio that's unique to Headspace?

Contrast. Unfinished stuff. As a creative I think it’s always hard to see anything as finished. How could they have taken a project further, what would they have done otherwise? An understanding of typography is essential, because that’s the foundation of good design. Self-initiated projects, what makes you tick outside the day job? They say you’re only as good as your next piece of work. But what about the work you’ve done that you’re not necessarily proud of? And how has that led you to making better decisions? We don’t see enough failure in portfolios. But it’s that contrast that makes someone’s body of work rich. It’s the cracks that add weight, worth, value and personality to a portfolio. How can a portfolio offer a less filtered/overly edited, more honest view? I think all these values exemplify what Headspace is about – honesty, playfulness and curiosity.

 

What's your favorite thing on the internet this week?

Although it’s an oldie… this. 

 

How much time do you spend on each portfolio? And how long before you make a gut reaction on the portfolio?

It can range from a couple of seconds to a couple of minutes. I normally get a gut reaction within the first few seconds but will explore enough until I feel that this is the right person for the job or not.

 

What do you judge first?

Music taste. Joking - typography.

What kind of talent makes you warm inside?

The kind of person who doesn’t know how good they are. Especially in this day of constant self-promotion where we are all trying to amplify our worth. That charm and humbleness makes me warm inside. And a sense of humour. It’s surprisingly hard to find people who can laugh at themselves. If you’ve got a kickass portfolio but you take yourself too seriously, well life is too short for that. 

 

Portfolio trends you wish would go out of style? What drives you nuts?

It drives me nuts when people talk about themselves in the third person, it’s pretentious and unapproachable. Don’t do it.

 

Best piece of advice you can give about portfolios, personal websites, and resumes?

Mix it up. Be bold, colourful, and shout about your personal work. Coming from the UK where people seem to be alot more self-deprecating about their work to the US where it’s the norm to big yourself up (no matter how good/bad your portfolio is) has been an interesting thing for me. I’ve received many cover emails where people have sounded like they work in sales. ‘Forsake all other designers!’ Only to discover that I’ve seen better layout skills from a 3 year old kid with chronic diarrhea. So yeah, it’s about recognizing your talent but being honest and humble about it. 

 

Anything we didn’t ask that you’d like to add?

Get your inspiration from looking at other things besides other people's work. It’s unhealthy and a recipe for self-comparison. Try and steer away from looking at design all together. How can a tin of baked beans inspire you to create something unique? Don’t overlook the ordinary. And never underestimate the power of music.        


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In INTERVIEWS Tags balance, design, meditation, startup, failure, portfolios

PROFILES OF THE WEEK: OCTOBER 12TH

Working Not Working October 11, 2015

PROFILES OF THE WEEK: OCTOBER 12TH


Joshua Reis, Director. Los Angeles.

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David Urbinati, Motion Designer. West Palm Beach.

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Melissa Deckert, Designer. Brooklyn.

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Veronica Corzo-Duchardt, Designer. Chicago.

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Thomas Slater, Illustrator. London.

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Leigh Masters, Art Director. New York.

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Mea Cole Tefka, Producer. New York.

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Yann Corlay, Copywriter. Amsterdam.

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In LISTS Tags Features, Featured, Top Profiles

Illustration by Mike Hirshon

MIXTAPE: THEM CHANGES

Working Not Working October 8, 2015

MIXTAPE: THEM CHANGES


As autumn gets underway in the Northern Hemisphere, WNW HQ has put together a mixtape of songs that our members are currently playing on repeat to fuel their creativity. Give this a spin, wherever you are; it may just give you some inspiration, or at least give your ears a good buzz. This week's edition pairs nicely with some hard cider and warm apple pie.

You can open the Spotify playlist here.


Them Changes - Thundercat (WNW HQ)


Reptilia - The Strokes (Yoni Alter)


I'm A Cuckoo - Belle & Sebastian (Mike Hirshon)


Let It Happen - Tame Impala (Ngaio Parr)


Oh Man The Future - De Lux (Todd Grinham)


The Bathtub - Dan Romer & Benh Zeitlin (Brittany Poole)


Dig Me Out - Sleater-Kinney (Veronica Corzo-Duchardt)


I-F - Space Invaders Are Smoking Grass (Andreas Tagger)


Are you a WNW Member who wants to share your creative theme songs? Email us.


In EVENTS + CULTURE Tags mixtape, music, features, featured, Mixtape

BOOK LAUNCH: OCTOBER 7TH, BROOKLYN.

Working Not Working October 6, 2015

BOOK LAUNCH: OCTOBER 7TH, BROOKLYN.


WNW Member #5360 Adam Turnbull is an Australian-born, Brooklyn-based artist and graphic designer. He has a new book launching tomorrow, called Noted: A Journal to Explore How We Shape, Create, and Develop Ideas. Noted opens up the creative process to jump-start your ideas. So to all you New Yorkers, head over to Dumbo tomorrow night at 7 at the Powerhouse Arena to celebrate Adam's book launch.

WHO: WNW Member #5360 Adam Turnbull

WHAT: Book launch for Noted: A Journal to Explore How We Shape, Create, and Develop Ideas

WHEN: Wednesday, October 7th @ 7-9pm.

WHERE: Powerhouse Arena, 34 Main Street. Brooklyn, NY.

RSVP@powerHouseArena.com

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In EVENTS + CULTURE Tags Adam Turnbull, Designer, Artist, Brooklyn, Book, Launch, Events, Features, Featured
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