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THE TRUMP GUIDE TO AMERICA: FAMILY FUN, HUMOR & TERROR

Working Not Working October 19, 2016

THE TRUMP GUIDE TO AMERICA: FAMILY FUN, HUMOR & TERROR


In advance of the final bout between Hillary Clinton and Donald Trump tonight (sorry Jill and Gary), check out these educational games that offer family fun, humor and utter terror. WNW Member Kelly Niland has been working overtime to deliver a good time in the form of "The Trump Guide to America", featuring rejuvenated classics like Bingo, Pinball, Spin-the-Wheel, Monopoly and a good old-fashioned Drinking Game. Kelly served as the Creative Director, while E. Johnson did all the illustrations and sean.digital, Mike Esposito and Hans Maular handled development. They generously credited all copywriting to Donald J. Trump.

The gang's Spin-the-Wheel was recently featured in The New Yorker. Click the images below to try your hand at the other modern pastimes.

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In WORK Tags Election, 2016, Trump, Clinton, President, Kelly Niland, Art Director

SARAH HERRON, ART DIRECTOR & TV PERSONALITY, LAUNCHES SHELIFT

Working Not Working October 13, 2016

SARAH HERRON, ART DIRECTOR & TV PERSONALITY, LAUNCHES SHELIFT


When WNW Member Sarah Herron isn't working as an advertising Art Director, she leads a double life as a reality TV personality. Both experiences have helped prepare her for her next and most personal adventure yet, SheLift. As Sarah puts it, "SheLift is a nonprofit that empowers girls to conquer their personal obstacles, discover self-compassion and inspire others by providing them with the tools, experiences and mentorship to work towards living an inspired, authentic life."

In our interview below, Sarah discusses how only 72andSunny and its approach to advertising could have prepared her for the challenges of making SheLift a reality. She also opens up about the tough but ultimately essential decision to leave her full-time job and fully dedicate herself: "Even though we still have a challenging year ahead, I’ll always be happy knowing I gave [SheLift] 100% and the attention it deserved to thrive."

As for her time on The Bachelor, Sarah calls it life-changing. "It gave me the confidence to overcome some pretty debilitating confidence issues. I was born with Amniotic Band Syndrome, and as a result grew up with only one arm. I decided to participate in the show in an effort to face my fears and own my story in the most vulnerable way possible." We're pretty sure Sarah holds the distinction of being the only WNW Member to appear on The Bachelor. And having been on three seasons, which makes her an official dating pro, it seemed only right that we also pry her for some dating advice for all you single creatives.

If you're interested in helping SheLift, you can donate here or show your love by picking up a sweet "Maybe You Literally Can Even" t-shirt.

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Tell us about your creative background. Who is Sarah and how did she get here?

I graduated from Otis College of Art and Design with a BFA in Advertising / Graphic Design. Immediately after graduation, I picked up my internship at 72andSunny where I spent 6 more years learning from the best in the industry.


When I appeared on [The Bachelor], I started getting fan-mail and messages from girls all across the country who were just like me. The girls would write telling me how much it meant to see someone "like them” finally represented in mainstream media.


What is SheLift and what lead you to launch it?

SheLift is a 501(c)(3) nonprofit organization that empowers girls to conquer their personal obstacles, discover self-compassion and inspire others by providing them with the tools, experiences and mentorship to work towards living an inspired, authentic life.

I was called to create SheLift after appearing on ABC’s The Bachelor. The experience was life changing as it gave me the confidence to overcome some pretty debilitating confidence issues. I was born with Amniotic Band Syndrome, and as a result grew up with only one arm. I decided to participate in the show in an effort to face my fears and own my story in the most vulnerable way possible. When I appeared on the show, I started getting fan-mail and messages from girls all across the country who were just like me. The girls would write telling me how much it meant to see someone "like them” finally represented in mainstream media. I’ve since appeared on the show 3 times – no longer as a means to find a husband, but rather to bring awareness to girls with disabilities at home that we are not as perfect and confident as TV and social media might portray.  

After a lot of soul searching and self-healing I saw an opportunity to provide mentorship to girls in a way that is unique to me – through sport and social influence. SheLift is a program that empowers girls at an early age to have the confidence to conquer any obstacle.


I’ve always found that conquering physical challenges is synonymous with building self-confidence.


In what ways is the idea of adventure integral to the mission of SheLift?

I’ve always found that conquering physical challenges is synonymous with building self-confidence. Being that I am a Colorado native and outdoor enthusiast, I knew outdoor adventure would be the perfect vehicle to get girls to discover what they’re capable of doing and boost self esteem.

 

What moment in the conception and launch of SheLift has made you the proudest?

The day I decided to quit my job in advertising and pursue SheLift full time was my proudest moment. It made it feel real. The outpouring of support and belief in my decision made me confident it was the best decision I’ve ever made. Even though we still have a challenging year ahead, I’ll always be happy knowing I gave it 100% and the attention it deserved to thrive.


When you have a great mission that people are inspired by, they’ll move mountains to help you get it done. Committing money is another feat.


What have been some of the challenges of getting SheLift off the ground?

Fundraising has been the most difficult part of starting SheLift. Everything else has been surprisingly easy. I credit the ease and speedy development solely to our mission. When you have a great mission that people are inspired by, they’ll move mountains to help you get it done. Committing money is another feat.

 

How can WNW members get involved and help SheLift?

SheLift’s brand model relies heavily on social media and influence. We’re really leaning into our brand partners and social ambassadors to help make SheLift not just an organization, but a movement. WNW members can help by spreading the word and connecting brands / donors who might share alignment in our mission.


The great thing about 72andSunny is when you take on a role as a creative, an account director, a producer, a strategist etc., you’re not just that one role – you’re all of them.


You’ve worked as an art director at 72andSunny for the past 6+ years, but it looks like SheLift has required you to take on much more of a producer role. Is producing something you’re hoping to continue to explore, or was that more just born out of necessity for this particular endeavor?

The great thing about 72andSunny is when you take on a role as a creative, an account director, a producer, a strategist etc., you’re not just that one role – you’re all of them. When I made the decision a year ago to take on a new production position, I think it was foreshadowing from the universe. Operating SheLift has required me to put all my skills to use: design, writing, ideation, budgeting, project managing and more. I truly credit 72andSunny for giving me the learning opportunities and experiences to put SheLift together.

We’re pretty sure you hold the distinction of being the first WNW Member on The Bachelor. As an official dating pro, what’s some good relationship advice you can share with WNW Members, and creative couples?

Dating advice: Ladies, we all can and SHOULD be our own Bachelorettes. Dating should be fun, and if you’re 30-something and single, make the most out of it! You are worthy and deserving of having multiple men wanting to be with you. You are smart, creative, driven and have a bad-ass job. YOU ARE A CATCH.

As for creative couples, it’s like any other relationship. The best ones take work, cooperation and understanding. Creative people are passionate, emotional, and opinionated. If boundaries aren’t respected, relationships, whether work or romantic, will become toxic. Practice patience and empathy!

 

Are there other Bachelor and Bachelorette contestants, past or present, who have launched nonprofits or products that you endorse?

There have been several contestants who’ve come off the show and attempted to parlay their exposure into a business opportunity. Some more successful than others. The exposure and “fame” you get from appearing on the show is fleeting and I think a lot of contestants think they need to jump on the hosting/acting/modeling train and rarely that works out. I never saw my exposure on the show as an opportunity to capitalize. SheLift found me and I feel very fortunate to have been given a platform for social empowerment.

Who are some of your biggest creative idols and influences?

Some of my greatest influences have been the partners and leaders at 72andSunny. Glenn Cole, John Boiler and Matt Jarvis are some of the smartest people I’ve ever met.

 

If you weren’t an Art Director, what do you think you’d be doing instead?

I wanted to be an artist since I was old enough to hold a crayon. I’m doing exactly what I was meant to be doing, sharing my ideas with the world.

 

What do you do when Not Working?

I’m never not working.

 

What are some things you would tell your high school self?

When you grow up you’re going to meet Leonardo DiCaprio, and go on amazing dates that are on TV, and everything is going to be AMAZING.

 

What’s next for you?

SheLift!

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In INTERVIEWS, WORK Tags Sarah Herron, SheLift, Interview, Profile, Adverstising, Art Director, Producer, The Bachelor

WNW Member Elias Stein

34X34: DESIGNERS BID FAREWELL TO DAVID ORTIZ

Working Not Working October 6, 2016

34X34: DESIGNERS BID FAREWELL TO DAVID ORTIZ


The Graphic Designer for the Boston Red Sox, Marissa Mcclain, pulled out all the stops to honor David Ortiz, one of the most celebrated heroes of both the franchise and the city. Mcclain's 34x34 Project features 34 #ThanksPapi billboards in the Boston area, each designed by a different artist. Four WNW Members paid their respects to the future Hall of Famer through their work. Even WNW Member Jon Contino, a self-proclaimed "obnoxious New Yorker" and diehard Yankees fan offered a tribute, adding, "Rivalries are built on respect...and there's no number as scary to a Yankees fan as the number 34. Thanks to the @redsox for inviting me to be a part of a living legend's farewell. Even I can't deny the awesome legacy of David Ortiz."

Scroll down to see the other contributions from WNW Members. You can see all 34 billboards here.


WNW Member Jon Contino

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WNW Member Brian Lindstrom

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WNW Member Sean O'Connor

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In EVENTS + CULTURE, WORK Tags Boston Red Sox, David Ortiz, Elias Stein, Jon Contino, Sean O'Connor, Brian Lindstrom, Designers, Illustrators

26 ARTISTS: WHATEVER YOU CALL 'EM, REMEMBER TO "CHECK 'EM"

Working Not Working October 3, 2016

26 ARTISTS: WHATEVER YOU CALL 'EM, REMEMBER TO "CHECK 'EM" 


London-based Seed Animation Studio has released "Check 'Em", a short animation film for Breast Cancer Awareness, in association with Breast Cancer Care. Twenty-six artists contributed original pieces, including six WNW Members. Considering they're all tackling the same subject(s), it's inspiring to see the artists show off such an array of eclectic animation styles. They've somehow managed to collectively match the creativity and absurdity of the many nicknames we have for "Brad Pitts", "Twin Peaks", "Fun Bags", "Norks", or "Wopbobaloobops" if you're not into the whole brevity thing.

Take a look at a handful of the many different takes below, and whatever you call 'em, don't forget to "check 'em."


"Bazookas" by WNW Member Jack Sachs

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"Bonbons" by WNW Member Caroline Attia

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"Baloobas" by WNW Member Antonio Vicentini

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"Mammaries" by WNW Member Andrew Khosravani

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"The Twins" by WNW Member Sophie Koko Gate

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"Knockers" by WNW Member Yukai Du

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In WORK Tags Seed Animation, Animation, Animator, Breast Cancer, Jack Sachs, Collaborations, NSFW, Initiative, Caroline Attia, Antonio Vicentini, Andrew Khosravani, Sophie Koko Gate, Yukai Du

GIPHY Presents "Loop Dreams" - An Exhibition of GIF Art IRL

Working Not Working September 29, 2016

GIPHY PRESENTS "LOOP DREAMS" - AN EXHIBITION OF GIF ART IRL


Join GIPHY in New York City this Sunday for LOOP DREAMS: An IRL exhibition of GIF Art. You can experience the work of 25 GIF artists through holographic posters, projections, VR, and interactive installations, with additional curation by Rhizome. Branding by WNW Members Mark Richard Miller & Dave Franzese of Dark Igloo.

12-3PM: Come explore inside the first ever Virtual Reality GIF Museum! The team behind the Mona VR headset will be giving demos of the soon-to-be-released MoGA and will be available to answer all your VR questions.

4-5PM: Join us for a panel discussion on the GIF led by RHIZOME. This panel discussion—featuring artist Laura Brothers, curator Jason Eppink, and GIPHY founder Alex Chung—will explore the GIF's usage as vernacular communication and artistic medium as parallel trajectories in the history of the file format.

October 2nd, 2016 / 10am-6pm / 201 Mulberry Street / New York, NY 10002

Hope to see you there! Scroll for the full list of featured artists.

via GIPHY

via GIPHY

via GIPHY

via GIPHY

Featuring art from:
Jacob Ciocci
Yung Jake
Nicolas Sassoon
Ann Hirsch
Laura Brothers
WNW Member Mattis Dovier
Stuart Wade
Eno Swinnen
Phyllis Ma
Scorpion Dagger
Zach Scott
WNW Member Julian Glander
Sam Rolfes
Winston Duke
WNW Member Karan Singh
Katri Tikkanen
LaTurbo Avedon
Dina Kelberman
David Berrebi
John Fogarty
Lauren Pelc McArthur
Jess Mac
Daniel Berman
Leon Denise
Nicole Ginelli
Martin Onassis


Are you a WNW Member with new work, exhibits, products, or news to share? Email us!


In EVENTS + CULTURE, WORK Tags GIPHY, Loop Dreams, Dark Igloo, Mark Richard Miller, Dave Franzese, Events, GIFs, NYC

ANXY: A BEAUTIFULLY-DESIGNED MAGAZINE ABOUT OUR INNER WORLDS

Working Not Working September 27, 2016

ANXY: A BEAUTIFULLY-DESIGNED MAGAZINE ABOUT OUR
INNER WORLDS 


Embracing your individuality and creativity and sharing it with the world requires a lot of courage, regardless of whether it comes easily to you or not. It means you're putting time into discovering yourself. We at WNW are always thrilled to see our members address not just the highs but especially the lows that come with the territory of self-discovery. Anxy Magazine is a prime example. Anxy's founder and Creative Director, WNW Member Indhira Rojas, tells us, "Anxy is intended to be a creative and artful exploration of mental health combined with powerful personal narratives. We are looking to create a publication that allows us to dive into our inner experiences and share what’s *really* going on in our lives. Our mission is to reduce the stigma around mental health conversations and make them an integral part of our daily lives."

Anxy aims to show that there's no longer a need to expend all of your energy on internalizing your struggle. And that the curtain we use to hide anxiety is really just a thin veil that distorts the realities of it: "We want to normalize these bad feelings and share how others have navigated or are still navigating those negative and dark moments... Each issue of Anxy uses a central theme—“loneliness” or “boundaries”—to build an original, insightful, and creative perspective through interviews, personal essays, reported features, visual stories, and recommendations for what to read, watch and download to round out the conversation." In our interview below, Indhira opens up about her own experiences with anxiety, expresses why a tactile magazine is the right medium to guide this conversation, and offers some insightful and generous tips on embracing your own anxiety.

Yesterday, Anxy was featured as the Project of the Day on Kickstarter. Head over to Kickstarter to back this mission. And if you are interested in the project and want to collaborate with the Anxy team, email them here: hello@anxymag.com. They'll be looking for writers, illustrators, photographers, you name it.

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Tell us a little bit about your background. Who is Indhira and how did she get here?

I’m the founder and creative director of Anxy Magazine, and principal at Redindhi Studio, a design practice focused on branding, editorial and interaction design. As a designer, I’m curious how the stories we tell each other shape our lives, influence our behavior and evoke our emotions. Most of my career I’ve been in the intersection of publishing and technology, developing visual strategies and identities that enable compelling narratives.

I’ve worked on a wide array of projects, from leading interaction and art direction at The Bold Italic, to launching the Once Magazine app and the Modern Farmer website, working on the re-branding of Atlas Obscura and designing Eric Ries' latest book The Leader’s Guide. Another transformative milestone in my career was working at Medium, where I lead the branding and creative art direction of some of our first publications such as Matter, Gone, Re:form and Backchannel.

Now, how I got here, here: I’m originally from the Dominican Republic—a Caribeña. I was fortunate to receive a scholarship that brought me to the US to complete a degree in Communication Design at Parsons School of Design in New York City. I later moved to San Francisco, CA to pursue a Masters in Design at California College of the Arts, which allowed me to transition into tech.

What is Anxy, and what led you to start it?

Anxy is intended to be a creative and artful exploration of mental health combined with powerful personal narratives. We are looking to create a publication that allows us to dive into our inner experiences and share what’s *really* going on in our lives. Our mission is to reduce the stigma around mental health conversations and make them an integral part of our daily lives.

I decided to start the magazine because I found myself in the middle of a rough time, dealing with a lot of grief and anger from doing my own therapy work and just feeling like — wait, I can’t be the only one. Why is it so hard to reach out to someone and say: “I’m feeling this huge void in my chest right now, and I know it’s sadness, and I don’t know what to do with it. Have you ever felt that way?” It’s like, unless there’s a death in the family, where there’s permission to grieve, we don’t allow ourselves to have those raw conversations and talk about some really dark feelings and experiences. We are all working so hard to make each other believe we have our shit together. Um. We don’t. Let’s get real.

I wanted to hear about other people’s experiences and how they have navigated them —what they do with the things that arise, how it has influenced their work, their everyday lives. I also wanted to bring together the psychology concepts that can bring language to what sometimes is so hard to describe and pinpoint.


Unless there’s a death in the family, where there’s permission to grieve, we don’t allow ourselves to have those raw conversations and talk about some really dark feelings and experiences. We are all working so hard to make each other believe we have our shit together. Um. We don’t. Let’s get real.


How did you decide on the format of Anxy? How does a serial publication better enable a conversation into anxiety?

For Anxy, we decided on a bi-annual publication, in which each issue is based on a theme, such as “loneliness” or “boundaries,” because we wanted to create a tactile collection of conversations. That way we can dive deep into a specific topic and create a complete volume of original, insightful, and creative perspectives. So much online content gets lost in the vortex. If you don’t click on the link from that email or feed—wooosshh—the story disappears forever (or until your Google it, if you ever do). And even when you do read it, even if you ‘save it’ … it still gets lost in some kind of digital archive.

We are looking to share these themes and stories through interviews with folks we admire, personal essays, reported features, and visual stories. We hope it will be content people can come back to for months to come, the way you do with a good book—you read it in stages and sometimes more than once.

The advantage of a serial publication, as opposed to a podcast or blog, is getting to experience content on a printed (tactile) page. It enables the juxtaposition of words and images in a way that connects to your senses differently. If done artfully and with an appreciation for beautiful design, Anxy can hopefully go beyond what’s currently in the market covering these topics.


The advantage of a serial publication, as opposed to a podcast or blog, is getting to experience content on a printed (tactile) page. It enables the juxtaposition of words and images in a way that connects to your senses differently.


In what ways are you applying your experience as a UX and visual designer to the magazine?

I’m applying my experience in some ways that are a bit more obvious, mainly understanding our audience and the need we are looking to fill, and creating the conceptual framework and visual direction of the magazine — from the branding of the publication to the tone of our video, website, and all the promotional materials.

Other aspects that have really come in handy, which are less visible, are putting into practice the strategy and project management skills that I’ve learned through ‘shipping’ things. This is the first time I’ve created a Kickstarter campaign. There are a lot of pieces that have to come together—it’s been quite the journey.

Anxy Mag has the potential to combat the misconception that you’re alone in facing anxiety. Do you see that feeling of loneliness in feeling alone as the most dangerous effect of anxiety and depression?

For me, the most dangerous effects of anxiety, depression, and numerous other mental illnesses, is not wanting to be alive anymore. It can start with a devastating feeling of loneliness and grow to feeling totally invisible and misunderstood. Feeling that no one could ever understand how we feel, because how could they? They are not the ones in this body, with these experiences, dealing with these thoughts.

The misconception we want to tackle is not just that you are not alone, it’s also that trauma is so much more common than we care to admit to each other. We dare claim that it’s a rite of passage in life. At some point, we will experience something difficult in some form or another. Big or small, individual or collective, it’s probably going to happen. And it’s understandable that you may feel buried by it. We want to normalize these bad feelings and share how others have navigated or are still navigating those negative and dark moments.

There seems to be a general consensus that anxiety and depression are particularly prevalent in creative individuals. Why do you think this is?

I’m one of those folks who believes all humans are creative, not just us labelled ‘creative people’. But, putting that aside, us “creatives” generally tend to feel more comfortable in the realm of expression and making. It becomes the way we channel our inner experiences. When making is the channel, our emotions related to our anxiety and depression comes through and becomes more visible (both in the work and how we carry ourselves), especially if what we make is publicly consumed. For others, non-labelled creatives, anxiety and depression are probably just as prevalent, it’s just channelled in ways we are not as aware of.


At times it can feel very rewarding to feel connected and make. Other times, you realize that a busy mind, not being able to think about other things but the problem at hand, is really a mind that cannot think about negative or dark thoughts. Creativity can be that double-edged sword.


How has your creativity helped keep anxiety at bay? And how has your creativity perhaps opened the door to anxiety or depression?

The way my creativity has kept anxiety and depression at bay (which has been a sad revelation, even in its comfort) is that it’s a great tool for distraction, sometimes dissociation. I’ve noticed for me, I get into problem-solving mode or into a flow and then everything else disappears. At times it can feel very rewarding to feel connected and make. Other times, you realize that a busy mind, not being able to think about other things but the problem at hand, is really a mind that cannot think about negative or dark thoughts. Creativity can be that double-edged sword.

The aspect of creativity that can open the door for anxiety and depression is when we lose track of what we are making and start judging ourselves. We can sometimes be very harsh. Whether it’s ‘this is not good enough,’ which can turn into ‘I’m not good enough,’ or ‘why can’t I be this or that?’ It just opens the door for that inner critic and puts you in a real rut.

'Mathographics' poster. Design contribution to Anxy Kickstarter campaign by design visionary & WNW Member GMUNK. 

What are some top tips you can give to fellow WNW members who struggle with anxiety, or are close to someone who struggles with anxiety?

Huge question. I will talk about things that have worked for me. But I don’t think it works for everyone. As we all manage things differently.

  1. If you have become aware enough about your current state to realize something is off and you are tired of being tired, look for support: a professional therapist, a group, a friend who can really hold your experience. Talking to a professional therapist saved my life.

  2. Meditation has been really helpful for me, mainly because it has helped me become an observer of my inner dialog and realize that thoughts are not reality, they are just thoughts—we just tend to believe everything we think. That can be un-learned.

  3. For those who are close to someone who struggles with anxiety (and they are not in a state of self-harm), I would say, just be present for them when you are with them. Be a steady presence in their lives so that they can feel safe and supported when they are with you. Listen to them. Pay attention without judgement, and most importantly without trying to solve their problem (this is really really hard!).

Anxy Magazine Assistant Editor Katie MacBride (far left) with Founder Indhira Rojas in the studio with Editor-in-Chief Jennifer Maerz, and Editor-at-Large Bobbie Johnson (right). Photo by Michelle Le.

The team you’ve assembled is stacked with so many talented individuals. How did you pitch Anxy as an endeavor worth joining?

Anxy has been a labor of love for everyone involved. I feel so lucky to count on such an awesome team of talented folks. To be honest, pitching Anxy didn’t require heavy lifting. Everyone involved has dabbled with therapy in some way, and feels the same need I feel—a desire to connect with others around our issues and stop with all this pretending. We can see people are craving open discussions about coping with anxiety, depression, fear, anger, trauma, shame, and all those things can change the direction of our work and our lives.

Anxy Magazine Senior Editor Madison Kahnin the studio with Editor-at-Large Bobbie Johnson. Photo by Michelle Le.

Anxy Magazine Founder Indhira Rojas (left) at Redindhi Studio in conversation with design team. Photo by Michelle Le.

This is the right time to have this conversation. Other publishers are beginning to broach the topic, and many public figures have come forward with personal revelations about mental health. Actor Kristen Bell wrote about her struggles with depression and anxiety; comedian and podcaster Marc Maron has made a career out of talking about complex emotional issues with his creative peers.

We feel a real revolution taking place around normalizing mental health outside the medical arena. It felt like an opportunity ready for the taking and so they jumped on it with me. :)

Anxy Magazine Founder Indhira Rojas (center) at Redindhi Studio in conversation with design team. Photo by Michelle Le.

How can WNW Members get involved in helping Anxy Mag and its mission?

There are many ways to get involved in helping Anxy — the most urgent is supporting our Kickstarter so we can make this project a reality! The second best way, specially for WNW’s huge community of creative professionals, is to become a contributor. If you are interested in the project and want to collaborate with us, please reach out to us at: hello@anxymag.com. We will be looking for writers, illustrators, photographers, you name it!

 

Anything else you’d like to add?

Please join our community and help spread the word. We are slowly ramping up our social media, but we would love to have you follow along in your journey!
Instagram, Facebook, Twitter.

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In INTERVIEWS, WORK Tags Indhira Rojas, Anxy Mag, Designer, San Francisco, Anxiety, Depression, Magazine, Projects

AT DIXIE'S DEADZONE DINERS, A CHANCE TO DISCONNECT TO RECONNECT

Working Not Working September 23, 2016

AT DIXIE'S DEADZONE DINERS, A CHANCE TO DISCONNECT TO RECONNECT 


Many of us love the idea of 50s diners, with their vinyl booths, bottomless coffee, jukeboxes and flapjacks. But then midway through sipping on a malted shake, we pull out our futuristic wireless brain-scrambling devices and start surfing and beaming messages across the globe. 

With Dixie's Deadzone Diners, patrons finally had the chance to experience a more authentic 50s diner. After all, the Deadzone Diner slogan is "Great Meal, No Service." WNW Members Jeff Scardino, Tara Lawall, Rob Trostle and Rich Greco helped create several pop-up diners in places with no cell service, so people could disconnect to reconnect with loved ones. We're talking caves, vaults and canyons.

As Jeff notes, "The campaign received over 11 million online views, which is a bit ironic."

This isn't Jeff's first involvement with a thought-provoking installation. Last year, we featured the traveling "Machine 11," which flipped the script on typical anti-smoking scare tactics and instead afforded passersby a series of amazing 11-minute life experiences for the cost of 1 cigarette.

While Dixie's Deadzone Diners campaign has ended for now, it's still possible for you to build your own time traveling device just by putting your other devices away.

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In WORK Tags Dixie Deadzone Diner, Pop Up Shop, Tara Lawall, Rob Trostle, Rich Greco, Jeff Scardino

THE ONLY WOMAN CARD YOU COULD EVER PULL IS FROM THIS DECK

Working Not Working September 14, 2016

THE ONLY WOMAN CARD YOU COULD EVER PULL IS FROM THIS DECK


The Woman Card Project is a deck of cards made by illustrators who support gender equality. The deck consists of important women (or more colloquially: Yas queens) who have and continue to spark change around the world regardless of their gender. WNW Member Maddy Kramer had the idea to create the Woman Card Project after comments by Donald Trump, attributing Hillary Clinton's candidacy to her gender. The deck aims to turn negatives into positives by calling out damaging gender stereotypes, and reminding people there is no such thing as a "Woman Card." Until now. Shout-out to WNW Members Valeria Vanzulli and Patricia Ortiz for contributing original queens of their own. Scroll down to see a handful of queens and the only Joker in the whole deck. And head here to donate for a free deck or purchase a deluxe pack. 

After the success of the first deck, Maddy and company already have a second deck underway. They're also looking for volunteer designers. Both decks will be available to purchase at the 3% conference. They're hoping to ultimately get the decks to Middle School curriculums, so students can learn about Yas queens. 

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Ronda Rousey

Malala Yousafzai

Frida Kahlo

Madonna

J.K. Rowling

Beyonce

Emma Watson

Serena Williams

Tina Fey & Amy Poehler

Michelle Obama

Ilana Glazer & Abbi Jacobson

Hillary Clinton

Oprah Winfrey

Jessica Walsh

Rosa Parks

Marilyn Monroe

Ruth Bader Ginsburg

Miley Cyrus

Sofia Coppola

Shonda Rhimes

Donald Trump


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In WORK Tags Womancard, Hillary Clinton, Cards, Donald Trump, Joker, Women

SAD ANIMAL FACTS, AN ADORABLE WAY TO RUIN YOUR CHILDHOOD

Working Not Working September 1, 2016

SAD ANIMAL FACTS, AN ADORABLE WAY TO RUIN YOUR CHILDHOOD


WNW Member Brooke Barker is a writer, illustrator and animal enthusiast living in Portland, Oregon. She’s also the creator of Sad Animal Facts and a former copywriter at Wieden+Kennedy. She has a dog who can never eat chocolate and three guppies who can't take naps because they don't have eyelids.

Sad Animal Facts has gained a massive following as a Tumblr page and Instagram account, but will soon be available in book form on September 6th. Head here to pre-order a copy now. It's "a delightful and quirky compendium of the Animal Kingdom’s more unfortunate truths, with over 150 hand-drawn illustrations." It's great for adults who have grown disillusioned over the years, and for kids to share at their next show-and-tell. In addition to being funny, Sad Animal Facts is pretty informative. And unlike Snapple facts, they're actually true. Did you know that giraffe babies fall six feet to the ground when they're born? Or that chickens can be startled to death? Or that sheep have no upper front teeth? Now go win some mystery shots at bar trivia.

We interviewed Brooke to find out how Sad Animal Facts started, how she's honed her illustration skills on the fly, and whether she has come across any animal facts so sad that she's skipped over them out of pity. The short answer is no.

But first, a message from Brooke Barker...

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Tell us about about your creative background. Who is Brooke and how did she get here?

I studied Medieval French History and Visual Arts in college and things have gone really well, considering. For the last four years I’ve been a copywriter at Wieden+Kennedy Portland, and now I’ve switched to freelance copywriting and get to spend even more time working on bizarre side projects like Sad Animal Facts.

 

When did you first come up with the idea for Sad Animal Facts? Were you surprised by the overwhelming response on Instagram?

I’ve been an animal enthusiast ever since I was the age when all of us were animal enthusiasts. And it’s more fun to tell people about the sad facts, because we’re bombarded with the happy facts when we’re growing up. We all know cats have nine lives, but that’s not even true, so it’s a lot more interesting that adult cats can’t recognize their mothers, and that their tongues can’t taste sweet things, and that they can get zits. Those are the things I’m interested in drawing. 

Sad Animal Facts started on Instagram and Tumblr, and people were so supportive and friendly! It’s exciting to look at my phone and see all these sweet messages, instead of people saying “All right Brooke, you’ve told us enough about snow monkeys” the way they do in real life.

What are 3-5 of your favorite sad animal facts?

I’m really interested in facts that came out of bizarre studies: like the fact that lab rats enjoy mating more when wearing vests, and that sheep can only recognize 50 faces, and cow’s produce the most milk while listening to R.E.M.’s “Everybody Hurts.” 

One fact that came out of a bizarre study is the fact that rats are worse at solving mazes if humans nearby expect them to do a bad job. I take that fact very seriously. It’s the fact that I sometimes end up thinking about at night. Am I a rat, and which sort of rat do people expect me to be, and how long are these mazes, how complicated are we talking?

Have you come across any animal facts so sad that you’ve skipped over them out of pity?

I’m pretty ruthless at this point - the darker a fact is, the more excited I get. I’m more likely to skip over a fact because it’s way too confusing. 

Sometimes I feel a bit too much empathy for female animals. It can be sort of a bummer to be a female predator, and there are a lot of sad facts about female lions, female baboons, and other female predators that I’ve skipped over. 

How have you seen your illustration skills evolve with this project? What animals have been hardest for you to draw?

I’m probably not going to be my generation’s great artistic savant, but illustration is really fun because it’s another way to express ideas besides writing, vandalism, or shouting. 

I still have the worst time with reptiles, birds with an obnoxious number of colors, and manatees. I can tell you what animals would have looked like if I had been the one to design animals - they would all be sort of bag-shaped, with lots of fur, an easy-to-draw tail, a pretty basic pattern, and interesting ears. There would have been several dozen versions of the raccoon, basically.

What are you working on now?

My husband WNW Member Boaz Frankel and I make a daily desk calendar called the It’s Different Every Day calendar. Instead of a year-long theme (sudoku, waterfalls, jokes about dogs) every single day has a different theme. We’re working on the fourth edition of it right now.

 

Who are some other WNW Members whose work you admire, and why?

I love everything Tuesday Bassen does. Her work makes being a girl feel like being a fan of a sports team that always wins.

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In INTERVIEWS, WORK Tags Sad Animal Facts, Brooke Barker, Copywriter, Portland, Book, illustrator

VOTEGIF, A FUN WAY TO SHARE YOUR STATE'S REGISTRATION DEADLINE

Working Not Working August 18, 2016

VOTEGIF, A FUN WAY TO SHARE YOUR STATE'S REGISTRATION DEADLINE


Not sure when your state's voter registration deadlines is? Don't be ashamed of your ignorance. WNW Member Erica Gorochow has got you covered with VoteGIF. "Voter turn out in the USA is notoriously low. Since deadlines to register to vote aren’t federally standardized, it can be easy to accidentally miss the cut off. I personally think this is an acutely important election."

We personally agree, so head to VoteGIF, mark your calendars and strategically share with your friends whose political leanings sync up closely with yours.

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In WORK Tags VoteGif, Voter Registration, Election, Clinton, Trump, GIFs, erica gorochow

ILLUSTRATOR BRIAN HURST PUTS HIS STAMP ON #RIO2016

Working Not Working August 13, 2016

ILLUSTRATOR BRIAN HURST PUTS HIS STAMP ON #RIO2016


WNW Member Brian Hurst has been knocking out stamp after stamp on his Instagram channel in his free time like a champ. We didn't know you could fit that much clever conceit, fresh design, and timeless look in an inch by an inch. Take notice, USPS and people who like cool stuff. 

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In WORK Tags Brian Hurst, Olympics, Rio 2016, Brazil, Designer, Illustrator, Newport Beach, Summer Games, Sports

WATCH PEOPLE TRY TO BUILD IKEA FURNITURE ON DRUGS

Working Not Working August 10, 2016

WATCH PEOPLE TRY TO BUILD IKEA FURNITURE ON DRUGS


Ikea is often regarded as somewhat of a two-sided coin. On the one hand, you're getting your hands on some sleek and ultra-modern furniture at an affordable price. On the other hand, you're left to piece together the miscellaneous legs, screws, and slabs of particleboard and bring that sophisticated dresser to life. And that's not even mentioning the journey through Ikea itself (watch this clip from Louie.) If you fail, you may never bounce back. But if you succeed, the world suddenly feels like a cool Baltic breeze.

WNW Members Hunter Fine and Alex Taylor decided to take the stakes even higher and create Hikea, a web series filming people high on drugs while attempting to build Ikea furniture. The hopelessness of the subjects in the first two episodes is hilarious, as they try to overcome not only the hieroglyphic instructions but the debilitating effects of LSD and Shrooms. 

To truly test your inner fortitude, skip the marathon you've been training for and attempt to build a Godmorgon or Malm or Knutstorp. And when you're finished, put your feet up on one of those Jordbros and watch an episode of Hikea to witness what could have gone wrong.

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In WORK Tags Hunter Fine, Alex Taylor, Copywriter, New York

BEETHOVEN & EDISON STAR IN ERICH & KALLMAN'S FIRST CAMPAIGN

Working Not Working July 26, 2016

BEETHOVEN & EDISON STAR IN ERICH & KALLMAN'S FIRST CAMPAIGN


Erich & Kallman, a brand new agency co-founded by Steven Erich and WNW Member Eric Kallman, has brought out some old and familiar faces for its first campaign. Who better than a troupe of pioneering artists and groundbreaking inventors, all considered way ahead of their time, to plug Chick-Fil-A's newest invention: the Egg White Grill breakfast sandwich. Scroll down to watch Michelangelo, Susan B. Anthony, and Alexander Graham Bell explain why chicken for breakfast "is not as crazy as you think." We're excited to see what's next for the San Francisco agency. A shout-out to WNW Member Laura Ferguson as well, who served as Executive Producer on the campaign.

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In WORK Tags Eric Kallman, Laura Ferguson, Erich & Kallman

A CELEBRATION OF SWING & THE CHASE FOR PERFECT MOMENTS

Working Not Working July 21, 2016

A CELEBRATION OF SWING & THE CHASE FOR PERFECT MOMENTS


The first spoken words of the newest short by WNW Member #9338 Leandro Santini & Anna Franzén describe Swing as a dance form that's "a bit like a drug." Kudos to the filmmakers, as the intoxicating movements, dreamy slow-motion and reflective voiceover almost immediately put you under Swing's spell. "You're constantly chasing this high, this amazing magical moment," the voice continues.

SWING is a lyrical documentary that portrays the harmonious relationship between two dance partners, and between them and the dance itself. Michaela and Rupert share how the dance form has changed their lives and brought out their real selves. 

SWING's running time is just over 2 and a half minutes; that's how long it should take for you to wonder how you ended up dancing on your desk looking down at the chair you had just been sitting in. 

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In WORK Tags Leandro Santini, Dance, Swing, Film, Director, London

SHE-MOJI, A MUCH NEEDED GIRL GANG AT YOUR FINGERTIPS

Working Not Working July 13, 2016

SHE-MOJI, A MUCH NEEDED GIRL GANG AT YOUR FINGERTIPS


It's impossible for a person to reach their potential if they're not given the tools and language to express themselves. Three WNW Members took notice that emoji, while a fun, easy and increasingly popular tool for communication, offer a shortcut to a whole collection of troubling stereotypes. They've taken charge, creating She–Moji. It's an emoji keyboard, for women. We spoke to Melbourne-born and New York-based WNW Members Nirmala Shome, Noemie Le Coz and Karina de Alwis, who share the origin story of She-Moji and tell us why a miniature girl gang is long overdue:

"The standard emoji keyboard reduces female identities to brides, princesses and dancers, with female activities centered around getting nails or hair done. As professional women in the field of digital and design, we decided to put our skills to work and change all of this – as a small, yet globally-accessible move towards a better representation of women all over the world. Red-headed yogis. Blondes with sass. A black belt karate master with an afro. A latina astronaut. An Indian chef. Even an African-American goth." 

The She–Moji keyboard for iPhone launched July 8 worldwide – available on the App Store. It includes 400+ original emoji, including women representing all shapes and colors, professions, activities, outfits and nationalities, plus a slew of powerful call outs like Slay All Day, Kween and Om. As if that isn't enough, they're also donating 50% of app profits from the App Store to the Malala Fund, which strives to ensure every girl has access to 12 years of free, safe, quality primary and secondary education.

P.S. They're calling all emoji users to help them build the She–Moji girl gang and tell them what you want to see in the next release. Use #MAKEMYSHEMOJI, or reach out via Twitter: @shemojiapp, Instagram: @she.moji, or Email: hello@she-moji.com

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How was the idea for She-Moji born?

During a casual night in, we started talking about the need for a better range of female emoji, and decided that maybe instead of talking about it, we could actually make it! We’ve been working in digital and design for so long, we were excited to do something together and put our skills towards something we really cared about.

 

Why is it important that something as seemingly innocuous as an emoji keyboard be carefully considered and as inclusive as possible?

Emoji have grown into their own lexicon and we see them more and more in everyday communications. Even though they seem frivolous, emoji play a huge role in the way we communicate, and affect how we subliminally think about women. We understand that the native emoji keyboard can’t include everything, for everyone, but we’ve all become far too comfortable working around the skewed offering, and retrofitting our messages to work with the limited set.

We hope She-Moji helps reiterates the need for better female emoji in the official Unicode set.

What were some of the challenges in making sure no woman was left behind? How did you ensure that She-Moji reached its potential in this regard?

While we tried to make sure we covered many bases we just couldn’t get them all in – we had a list as tall as us and just had to focus on our MVP so we could get this to market. We spoke to friends and relatives and settled on the current set – but this is just the beginning.

We also knew that for this to succeed it needed to work well and look hot(!) so we enlisted the help of our super talented friends Devin Ross (iOS developer) and Blair Burke (3D animator).

Which She-Mojis are your favorites?

  • Bad ass skateboarder

  • Zen meditation

  • Baller astronaut

  • Black Belt Jiu Jitsu Master

  • BFFs in bathing suits

What’s your hope for She-Moji’s impact? What’s next?

Our initial intention with this first release was to spark a conversation around the lack of female representation in the native set of emoji – a conversation that people (including us!) have been too comfortable to ignore. Plus, we would love to be able to reach out to the Malala Fund with a sizable donation to help move their programs forward.

Beyond this first release, our plans are simple – to continue to expand our She-Moji girl gang! There are so many we thought of but didn’t get to include for launch, which we want to add in the next round. Also in the inclusive She-Moji spirit, we want people to send in their She-Moji requests with the hashtag #makemyshemoji – effectively empowering our audience to decide what’s included in the next generation.

As well as expanding the She-Moji options themselves, we hope to roll out to Android too, if we are able to grow our user base enough.

 

You’re donating 50% of app store profits. What makes The Malala Fund a fitting partner for She-Moji?

We knew we wanted to donate 50% of our profits to a women’s charity from day one. There are so many emoji apps out there now, we didn’t want to just add to the clutter without trying to make a real impact.

Malala herself is synonymous with inclusivity, and advocating for women everywhere. We all followed her story and her work long before we started this project, so she immediately came to mind.

The Malala Fund works to provide 12 years of safe, quality education for all girls. So we really felt this organization aligned with the philosophy and inclusive nature that She–Moji itself was built on.

What do each of you do when Not Working? 

Nirmala

When I’m not working, I’m busy working on my side projects with my super talented mates. I also love being active and am a self confessed health freak who is addicted to yoga.

Noemie

I’m a nerdy designer at heart and probably never not designing up something ridiculous in my head. I also love laughing more than anything – I try to sneak in time for re-runs of Seinfeld and Absolutely Fabulous whenever I have couch time (which is less than I’d like these days!)

Karina

Every time I'm asked this question, I make a mental note to get a hobby! When I'm not working, I love a good girls’ night out, or even just having friends around for dinner.

 

Anything else you’d like to add?

Just this:
 


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In INTERVIEWS, WORK Tags She-Moji, Emojis, Creative, Freelance, Nirmala Shome, Noemie Le Coz, Karina de Alwis, NYC, Melbourne

ART YOU CAN STEP ON

Working Not Working July 12, 2016

ART YOU CAN STEP ON


Graphis is a highly regarded international publisher of books on communication, committed to presenting and promoting the work of exceptional talent in Graphic Design, Photography, Advertising and Art/Illustration. One such talent is WNW Member #896 Warren Eakins. They clearly have good taste.

Graphis Photography selected seven photographs from Warren's "Art Underfoot" series, which he describes as “a series of photographs of the banal and unnoticed."

Warren adds, "The subjects in these photographs go unnoticed and are walked on day after day. But I often recognize a photographic possibility in these insignificant and often utilitarian things of no interest. I am drawn to the various textures, tones, shapes and colors, when composed in the camera they become surprisingly beautiful images – elevating the insignificant to a place of interest." 

This isn't the first time Graphis has recognized Warren's work. He has been awarded gold and silver medals in past Graphis Photography competitions. He also recently made the Louvre in Paris. A photograph of Warren's was selected by Exposure Award International Photography for their exhibition, ‘The Body Collection’, at the Louvre last July.

Check out some "Art Underfoot" below.

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In WORK Tags Warren Eakins, Photographer, Art Director, Graphis, New York

AN APP THAT ENCOURAGES YOU TO LOOK UP FROM YOUR APPS

Working Not Working July 10, 2016

AN APP THAT ENCOURAGES YOU TO LOOK UP FROM YOUR APPS


WNW Member Ekene Ijeoma is a designer known for his data-driven, socially-engaged interdisciplinary work. Last September, we featured Ekene's installation, "Wage Islands", a 3D map which tackled the geographies of access in New York, a direct result of disparate wages and housing costs. Ekene's latest project is Look Up, a participatory public art app made with Processing and support from Google Creative Labs. As you near any street intersection, the app asks you to look up from your phone to engage in the diversity and serendipity of the city. 

Look Up breaks the habit of constantly checking phones and builds a ritual of looking up at intersections and not missing out on the city – draining all the energy we pour into our phones back into our streets. The app uses crash injuries and fatalities data from NYC DOT’s Vision Zero road safety project to create a 1–5 energy score reminding participants why our streets need their energy, eyes, and “hellos”. In doing so, Look Up creates a space for participants to get in tune with the energies, rhythms and vibrations of the city. You can choose if you want to be prompted at every 1 to 3 intersections, or at random while on foot, on a bicycle or in a car. It's free, open source, doesn't require a SIM card, uses low battery and data and doesn't store or share your data.

"Whether it's strangers making eye contact and saying hello or friends hugging," Ekene writes, "Look Up hopes to tear down the digital walls we build up, opening us to seeing, acknowledging and valuing the people and city around us."

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Visit look-up.nyc to learn more about the app, and search tag #lookupnyc on Twitter and Instagram.


In WORK Tags Ekene Ijeoma, Look Up, App, New York

YES, THIS IS A GIANT TORTILLA BEACH TOWEL

Working Not Working July 7, 2016

YES, THIS IS A GIANT TORTILLA BEACH TOWEL


Two WNW Members have made a tortilla towel. Now you can finally rest easy. Created by Members Mary Dauterman and Sarah Lloyd alongside collaborators I-Ping Chiang and Chelsey Blackmon, the tortilla towel is inspired by the (universal?) fantasy of being a human burrito. The towel is 5 feet across and will make you feel like a tiny taco filling. It also makes the perfect picnic blanket. Just don't eat it. Head here to fulfill your summer fantasy.

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In WORK Tags Mary Dauterman, Sarah Lloyd, Copywriter, Art Director, New York, Summer

WHAT DOES YOUR LAST PHOTO SAY ABOUT YOU?

Working Not Working June 29, 2016

WHAT DOES YOUR LAST PHOTO SAY ABOUT YOU?


The ‘Last Photo’ Project is an ongoing video series where WNW Member #96 Ivan Cash asks strangers in different cities to share the last photo on their phone. With ample opportunity to pull back the curtain, the project plays out as a fun, sociological experiment.

When we featured this project over two years ago, Ivan had made stops in San Francisco, New York, and Los Angeles. It is fascinating seeing not only how much a person can be defined by a recent snapshot, but how the collection of last photos offers a commentary on each city. Ivan has since visited six more cities with their own stories to tell, most recently Honolulu. The project has become a viral sensation, received international recognition, two Vimeo Staff Picks, over 1M collective views, and inspired off-shoots across the world.

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In WORK Tags Ivan Cash, San Francisco, Designer, Filmmaker, Last Photo
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