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MEET #2846 LETA SOBIERAJSKI

Working Not Working April 21, 2014

MEET #2846 LETA SOBIERAJSKI


Designer • Brooklyn, NY

Leta Sobierajski is a multidisciplinary designer & art director living and working in New York City. She combines mediums in design, photography, art, and styling to develop tangible compositions for both print and motion. She was recently recognized as a top 20 under 30 designer in Print Magazine's New Visual Artists issue in 2014.

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1. How long have you been freelancing?

I’ve been freelancing for nearly a year now. It’s something I had wanted to do for a while and finally gained enough courage to take the leap—now I’m 100% sold! It is easily the best professional/career decision I have made. The studio life was not for me.

 

2. Is there a time or place that you feel most creative / have the best ideas?

I primarily work from home, so many of my best ideas happen when I am sitting at my desk, taking a shower, or stepping out to pick up groceries. Taking a walk helps—a change of scenery is essential to bring out new ideas and feelings that are provoked from distraction. I used to be more of a night owl, working through most of my ideas in the wee hours of the morning, but I am slowly shifting my habits now that I am freelance. It feels satisfying to wake up early and immediately start drawing, writing, and sketching.

 

3. What's your ideal Working:Not Working ratio?

80% working, 20% recreation, ideally. I work a lot, and usually begin my day at 8:30 or 9 and end whenever Wade, my partner, gets home from work. I get restless when I’m not working on something, but a free week here and there is always embraced.

 

4. Do your parents understand what you do?

I think so. I’m an only child, so I’m very close with my parents. While they encouraged me when I decided to study graphic design in college, I think they had a different idea of what that actually meant, and they gave me a lot of pressure to apply for grad schools after I got my BFA. My mom was in college for 14 years to get her doctorate, so I think she was a little worried about my level of qualification, as well as my long term level of success (monetarily). Now that I have been out of school for four years, I think that they have learned more about what interests me and where it gets applied, so they have eased up a lot. I feel successful, not in a monetary way but in a creative kind of way. I think that they are learning that there isn’t a “cookie­cutter” way of being a designer to make money, as there are so many different methods and opportunities to direct your abilities.

 

5. What scene from a movie makes you laugh just thinking about it?

“I fart in your general direction,” from Monty Python and the Holy Grail.

 

6. If you were stranded on a desert island, with your computer, what 3 websites would you take with you?

Until the battery runs out, I’d say Doge2048.com (I can play it for hours), Netflix, and randomstreetview.com.

Runner up: Noisli.com, so that I can forget where I am completely and take a nap.

 

7. What do you do when Not Working?

For short­ term Not Working, I’ll usually go gallery­ hopping in Chelsea or visit an exhibit at a museum. Free time is usually devoted to catching up on art, film, and food, and of course, side projects. Traveling is my absolute favorite way to make use of my not­ working time, and I try to take advantage of it as often as I can. Our (Wade and I) goal is to make it to Australia and Japan this year for some serious not­ working time!

 

8. Do you have a hidden talent?

I wouldn’t call this a talent per se, but i’m horribly clumsy. I knocked over a four ­foot cactus last weekend when I was in a shop. I drop things a lot, too.

 

9. Any tips or advice for fellow freelancers?

People give and get a lot of shit for saying this, but I think it’s very important to build your own projects to help direct your strengths and interests. If you do what you love, and if you do it well, then people will ultimately recognize you for this and hire you because you’re good at it.

 

10. What's your favorite thing on the internet this week?

Check it out! The building blocks of sushi.


LETA'S WORK


LETA'S WORKSPACE


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In INTERVIEWS Tags MEET, Leta Sobierajski, Designer, Brooklyn, New York, Freelancer, Featured

MEET #2392 AMANDA CLELLAND

Working Not Working April 11, 2014

MEET #2392 AMANDA CLELLAND


Art Director • New York City

WNW Member #2392 Amanda Clelland spent six years at Droga5 working as creative director for Puma and Coke Zero before going freelance. She was selected to Forbes Magazine's "30 Under 30" for media, and was named Campaign Magazine's team of the year with Tim Gordon. While traveling Down Under, Amanda shared with WNW what feeds her creativity, and how she likes to spend her free time doing things like, well, traveling.

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1. How long have you been freelancing?

I’ve been freelance for about a year now.

 

2. Is there a time or place that you feel most creative/have the best ideas?

I usually get my best thinking done in my bed. When I’m in that state between awake and asleep. I think it’s because you’re conscious doesn’t get in the way too much, and what’s been on your mind finally has some clarity and time to breathe. I like letting myself sleep in, or giving myself a lot of time to wake up in the morning.

 

3. What's your ideal Working:Not Working ratio?

4 weeks on. 2 weeks off. I like my time off.

 

4. Do your parents understand what you do? 

It’s taken a long time, but after six years at an agency I think my dad finally got it. But now that I’m freelance, I think I’ve totally thrown him again. He feels like I’m just treading water and constantly on the look for my next gig. It makes him uncomfortable. He sees my lifestyle as pretty chaotic. It’s cool though, he also trusts me and has a lot of confidence in me.

 

5. What scene from a movie makes you laugh just thinking about it? 

“Ma the meatloaf…” (Wedding Crashers)

 

6. If you were stranded on a desert island, with your computer, what 3 websites would you take with you? 

That desert island has internet? I guess so, well maybe this is a luxury desert island for one. Which sounds incredible. The Daily Beast, BuzzFeed, and Facebook.

 

7. What do you do when Not Working?

Life, yay hooray! I travel a lot. I have a project going on that doesn’t pay the bills, but it’s going to pay off in a lot of other ways when my team and I get it done, so I spend a lot of my “not working” time working on that. I also enjoy yoga and crochet when it’s time to chill out.

 

8. Do you have a hidden talent?

I just discovered I may be good voiceover talent. I kinda like this. I did my first VO job by accident last year for my own video, and it’s brought in a few other jobs. It’s pretty fun. I like the idea that people like listening to my voice. Funny. Money too.

 

9. Any tips or advice for fellow freelancers?

It’s important to find a good work/life balance. And everyone’s is going to be different for his or her own personal and financial needs. You have to find what’s best for you. Your fellow freelance friend might be great at booking jobs back-to-back and being organized. And that’s great for them. And you may be more of the free-spirit type and book as you go and take more holiday. It’s all about finding that balance, and it takes work to find what works best for you. But when you get into a nice rhythm that you feel comfortable with, freelancing is really really nice. I love it.

 

10. What's your favorite thing on the internet this week?

Jennifer Lopez’s new sexism-slapping video, “I Luh Ya Papi”. Freaking hilarious.


AMANDA'S WORK

Puma celebrates the 50th birthday of Diego Maradona, arguably the best football player of all time.

New Museum


AMANDA'S WORKSPACE


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In INTERVIEWS Tags Amanda Clelland, MEET, Art Director, New York, Featured

MEET #2996 DAVID BLACK

Working Not Working April 4, 2014

MEET #2996 DAVID BLACK


WNW Member #2996 David Black is a photographer based in Los Angeles.  Photo District News selected David as one of 30 emerging photographers to watch in 2011, Print Magazine named David as a top New Visual Artist under 30, and he was included in the Art Directors Club of New York "Young Guns" Show and Book. David studied at The Cooper Union and San Francisco Art Institute. Some of his clients include Nike, Converse, Levi's, Ray Ban, Shinola, Budweiser. David spoke to WNW about what sparks his creativity.

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1. How long have you been freelancing?

Since 2003 when I graduated from art school.  


2. Is there a time or place that you feel most creative/have the best ideas?

Locations inspire me the most, lately it’s been living in the most bizarre city in the world… Los Angeles.


3. What's your ideal Working:Not Working ratio?

My schedule is so erratic, but my ideal situation is 100% working.


4. Do your parents understand what you do?

They do, I was blessed to have a Dad that was really into photography.  He set up a dark room for me when I was a kid, which was a great adventure.


5. What scene from a movie makes you laugh just thinking about it? 

“Did you ever find Bugs Bunny attractive when he put on a dress and played a girl bunny?"


6. If you were stranded on a desert island, with your computer, what 3 websites would you take with you? 

Netflix, Hulu, HBO GO, sorry that wasn’t more interesting


7. What do you do when Not Working?

Surf & travel


8. Do you have a hidden talent?

hell of a juggler


9. Any tips or advice for fellow freelancers?

Accept that your friends with 9/5s will never forgive you for constantly changing plans, missing events. 


10. What's your favorite thing on the internet this week?

Kim Jong-un’s haircut mandate



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In INTERVIEWS Tags MEET, David Black, Photographer, Los Angeles

NOT WORKING: ON THE ONE SHOW ANNUAL

Working Not Working March 25, 2014

NOT WORKING: ON THE
ONE SHOW ANNUAL


New York-based photographer and WNW Member #1183 Ahmed Klink helped to create the covers and spreads for The One Show Annual.  The whole process is explained in detail by Ahmed below.

"Each year the One Show celebrates the best work created in advertising and gathers the winners in three books - The One Show, The One Show Design and The One Show Interactive. The whole set is often referred to as 'The Bible of Advertising'. This year I worked with Creative Director Danilo Boer at BBDO to create the covers and spreads of each single one of the award categories. Danilo came up with the idea of using the One Show trophy itself as a metaphor to the creative process that goes into creating great advertising. We used the gold, silver and bronze pencils to scratch the names of the different categories on countless surfaces in the city. Walls, chairs, computers, TV's, couches, fire hydrants. Anything we found. We spent the day scarring the trophies, showing how much goes into making a work of art. The battered pencil was then photographed on the cover. Bruised by the battle but shining in gold."

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Tags Ahmed Klink, Photographer, One Show, NYC

NOT WORKING: ALONG THE EAST RIVER

Working Not Working March 24, 2014

NOT WORKING: ALONG
THE EAST RIVER


WNW Member #3393 Alan Gastelum has an ongoing photo series, called East River and the Sanctum We Walk, which he started in 2011.

"The initial goal was to observe personal experiences gained from interaction with the natural world within the confines of a metropolis. The survey began to bring attention to the beauty of the park, but also brought awareness of some specific ongoing problems. Upon daily visits to the East River Promenade, I noticed that the trash was not being cleared within the water banks of the two esplanades, but only washed away into the river and replaced with new trash. The purpose of these photographs is to raise awareness of the things that make our neighborhood beautiful and the small things that get in the way. The project was recently recognized and after conversations with the East River Park's managers, the series has evoked action to be taken and current plans are being made with volunteer and catalyst coordinators to clean up the park's debris." - Alan Gastelum

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Tags Alan Gastelum, Photographer, Brooklyn, East River

NOT WORKING: ON THE ANTISOCIAL NETWORK

Working Not Working March 19, 2014

NOT WORKING: ON THE ANTISOCIAL NETWORK


WNW Members #20 Brian Moore (behind this year's Unicef Tap Project) and #22 Chris Baker spoke to WNW about their newest app: "Cloak is incognito mode for real life. Avoid exes, co-workers, that guy who likes to stop and chat— anyone you'd rather not run into. Cloak scrapes Instagram and Foursquare to let you know where all your friends, "friends," and nonfriends are at all times so you never have to run into that special someone. Think of it as the antisocial network."

Download Cloak free for iOS and gain the power of invisibility.

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Tags Brian Moore, Art Director, Cloak, Apps, Chris Baker, NYC, Featured

NOT WORKING: ON ANIMOGRAPHY

Working Not Working March 17, 2014

NOT WORKING: ON ANIMOGRAPHY


WNW Member and Amsterdam-based Art Director #2184 Jeroen Krielaars is behind Animography. We spoke to Jeroen about the beginnings, process, and future of this project.

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Why did you start Animography? 

The first animated typeface I did was Moshun. It was just a personal experiment. Moshun succesfully combined typography and motion in a modular system. A good unison of things that excite me. Moshun got quite a lot of attention by the international press. A lot more than any other work I ever did. This was very stimulating, and I decided to explore this thing a bit more. Shortly after, I created Typogami and teamed up with Maria Jose Torerro Heredia to create Binary 2.0. After a while I noticed other people also getting into animated typefaces. To combine my and their work on a specialized platform was the next step. Animography was born. Having a dedicated place on the web for this kind of work also allowed my regular portfolio, calango.nl, not to be all about animated typefaces. 

 

How does the project work?

I don’t see it as a project but as a collection of lots of projects. Every animated typeface or promotional video is a project on its own. The main goal is to make animated typefaces and build a steady collection with those. For this, I’m always working on it in between commercial projects. I also spend a lot of time inviting and helping others in their effort to create an animated typeface. Second to building the collection, I see it as an ongoing experiment to implement these in different kinds of animation. That’s why I started a new sub-project called Animography Monthly. Each month of this year a different motion designer is invited to work his/her magic with an animated typeface of their choice. The results so far are quite stunning. It’s very interesting to make something, and then hand it over for someone else who can use it in a way you’d have never thought of yourself. 

What are the biggest challenges of animating a typeface so the individual letter animations work together?

For me personally, it’s a challenge to find the perfect balance in motion and type design. On one hand I strive for something that is uniform, elegant and smart. On the other hand, a minimal and systematic approach can result in something that is boring, and lacks character. It should stay interesting even after looking at it for a dozen times. To take this to the extreme, I started a large collaborative project last year. I took an existing typeface containing 110 glyphs, and invited an equal number of animators to each work just on one glyph. I gave them some basic rules, like a maximum of colors, timespan, etc. The end result was very exciting. 110 different styles combined to form one animated typeface. This can also be balanced in it’s own way. 

 

How many animators have contributed to Animography?

Apart from the 110 animators that worked on Franchise Animated, we have 15 artists with their work already available, about 5 artists working on something right now, 3 artists who already did an issue of Animography Monthly and 9 more lined up for the rest of the year, 3 regular sound designers, a great developer and 3 guys from aescripts & plugins who’ve worked on the Characteristic script. It’s an ever-growing family.

What's next for the project?

There’s still a lot to do. We’ll be having a blog soon, to host all the Monthly’s and other implementations on. Lots of new animated typefaces and experiments. Also I would still like to have a good serif style animated typeface. If anyone is interested in making that, give me a shout. I would also like to get in contact with some editors to get a foothold in that scene. It’s pretty difficult for me reach beyond the tight knit community of motion designers who live on vimeo, twitter and dribbble. And maybe, a new collaborative project like Franchise somewhere down the road. Oh, and get the bespoke design service running. The plan from the beginning is to create custom animated typefaces for brands next to the ones that are available for everyone.


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Tags Jeroen Krielaars, Amsterdam, Art Director, Featured

MEET #2782 SHANE GRIFFIN

Working Not Working March 14, 2014

MEET #2782 SHANE GRIFFIN


Designer/Director/Animator • Dublin

Born and raised in Dublin, WNW Member #2782 Shane Griffin is a premier designer and director, having worked with top clients like The New York Times, Disney, Microsoft, Toyota, and ICAD. Formerly the Head of Motion Design at ManvsMachine, this ADC Young Gun is now enjoying his new life as a freelancer, putting out work like this.  We had a quick talk with Shane about freelancing in Ireland and his mam's understanding of what he does for a living.

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1. How long have you been freelancing?

 I've been Freelancing approximately just over a year.

 


2. Is there a time or place that you feel most creative/have the best ideas?

Strangely enough, most of my ideas come when I leave the studio, on the way home on the bus, in the shower, people always get good work out of me on the second day!

 


3. What's your ideal Working:Not Working ratio?

I like to work, I get agitated when I'm doing nothing creative. On the contrary, I live in Ireland and the weather is awful, so I like to get away every couple of months! So lets say 3 Months : 2 Weeks. An idealistic leisurely lifestyle.

 

 

4. Do your parents understand what you do?

I don't think so? My Mam thinks everything I do is fantastic, but I approach most of my work with her in mind, so I'm aiming to please. Maybe I'm doing a good job, or maybe she's just too polite!

 

 

5. What scene from a movie makes you laugh just thinking about it? 

When Clarence Boddicker says "Bitches, leave" In Robocop 1. Flawless piece of cinema. It's not even supposed to be funny.

 


6. If you were stranded on a desert island, with your computer, what 3 websites would you take with you?

Hypergeography
Hypergeography
Hypergeography

I could lose days at a time there.

 


7. What do you do when Not Working?

Planning my retirement, usually. I've a keen interest in fashion, tech, and music, so I do a lot of brushing up on culture and buying stuff I don't need.

 


8. Do you have a hidden talent?

I had an EP out once when I was a musician many moons ago, also I have extremely stretchy skin, I'm pretty sure that's not a talent though, but it freaks people out. I'm fluent in my native tongue of Gaelic too, which has zero benefit, but sounds funny.

 


9. Any tips or advice for fellow freelancers?

It's nice to be nice, so be polite, and work hard!

 


10. What's your favorite thing on the internet this week?

My friend just got a Beagle puppy last week, and started an Instagram account for him. Probably the most amazing dog over all time. @Honestgable


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In INTERVIEWS Tags Shane Griffin, Dublin, Designer, Director, Animator, Animation, MEET

NOT WORKING: ON LAST PHOTOS

Working Not Working March 12, 2014

NOT WORKING: ON LAST PHOTOS


WNW Member #96 Ivan Cash is at it again. Last Photo is Ivan's new ongoing video series, in which he travels to different cities and asks random strangers about the last photo on their phone. The results are both fascinating and at times somewhat alarming. What's the last photo on your phone?

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Tags Ivan Cash, Last Photo, NYC, LA, SF, Art Director
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MEET #2791 JULIA POTT

Working Not Working March 7, 2014

MEET #2791 JULIA POTT


Illustrator & Animator • Brooklyn

Originally from the UK but now based in Brooklyn, WNW Member #2791 Julia Pott is an illustrator and animator extraordinaire. Her award-winning films have played at festivals all over the world, including Sundance, SXSW, AFI, and Annecy. A few of her clients include J. Crew, MTV, Oreo, Toyota, and Hermes. In 2012, Julia was named an ADC Young Gun, as well as one of The 25 New Faces of Independent Film by Filmmaker Magazine. In her free time, she wins more awards, like the 2013 YCN Professional Award. She also writes for Huffington Post. Julia shared some of her secrets to success with us, speaking about her parents' complete support and walks around the block.

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1. How long have you been freelancing?

I have been freelancing full time since I graduated from the Royal College of Art in July 2011. It was quite a strange sensation having my whole life ahead of me with no more land marks in the career world – no BA’s, no MA’s, just work forever. 

2. Is there a time or place that you feel most creative/have the best ideas?

When I’m walking to work I find it easiest to come up with ideas. If I’m feeling stuck during the day I’ll walk around the block and it helps to clear the cobwebs. I THINK I’m the most creative when I’m on a plane, but when I land and go through my notebook I realise all my ideas were terrible. 

3. What's your ideal Working:Not Working ratio?

I like to work flat out on a project 24/7 for weeks or months at a time and then take a week off to do nothing and spend way too much time at Pottery Barn.

4. Do your parents understand what you do?

My parents have always been hugely encouraging. They always told me that I should wake up every morning excited to go to work – even if that meant struggling for money for a while. They watch every animation and look at every drawing I do, and if they don’t understand it they’ll ask me to explain it. Not to gush too much but they’re literally the best.

5. What scene from a movie makes you laugh just thinking about it? 

The scene in Mean Girls where a teary girl is talking about baking a cake out of rainbows and feelings and Damian yells from the back 'She doesn't even go here'. Every time. Sometimes when someone is giving their opinion on something when no one asked for it I quietly think in my head, 'she doesn't even go here'.

6. If you were stranded on a desert island, with your computer, what 3 websites would you take with you? 

NPR.org – mainly for Radiolab. I love listening to talk radio when I’ve been working from home and I’m starting to go a bit nuts in my own company. 

TED.com – another resource for soothing knowledgeable voices. Although I’ll be honest – I mainly watch the talks about Love and Aliens. 

Is it cheating to say Youtube? If it is then http://www.itsnicethat.com.

7. What do you do when Not Working?

My heavy rotation non-working activities include – dancing (badly), karaoke (badly), eating Mexican food paired with margaritas (I’m good at this one), and watching whichever television show I am currently addicted to (The Sopranos). If I have a period of time off I love going on trips with friends – renting a cabin upstate or going away on an adventure.

8. Do you have a hidden talent?

I used to pull out my hair and eat it when I was 4 ... but that’s more of a worrying affliction than a talent. I was a classical pianist before I moved to New York, but I think almost all of that has fallen out of my head by now unfortunately.

9. Any tips or advice for fellow freelancers?

I personally work much better if I have a few projects on the go at once so wherever possible, say yes to every job you want to do even if you’re already working on something else at the same time.

10. What's your favorite thing on the internet this week?

I can’t stop watching this gif: http://imgur.com/OYLhOSx


ANIMATION


ILLUSTRATIONS


JULIA'S WORKSPACE

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In INTERVIEWS Tags Julia Pott, Illustrator, Brooklyn, Animation, Featured

NOT WORKING: ON 5 RULES FOR SURVIVING ART SCHOOL

Working Not Working February 28, 2014

NOT WORKING: ON 5 RULES FOR SURVIVING ART SCHOOL


WNW Member and illustrator #2809 Thomas Slater & animator Andy Baker present the "5 Rules" to surviving art school. Via It's Nice That.

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Tags Thomas Slater, Illustrator, London

WORK: UNICEF TAP PROJECT

Working Not Working February 27, 2014

WORK: UNICEF TAP PROJECT


WNW Member #20 Brian Moore, a creative at Droga5, worked on this year's Unicef Tap Project. He wants you to put down that phone. Because for every 10 minutes you don't touch your phone, a child in need is provided with one day of clean water. Here at WNW HQ, we lasted an hour and 20 minutes. How long can you go without your phone?

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Tags Brian Moore, Droga5, Unicef, Art Director, Brooklyn

WORK: WORLD'S LARGEST ICE FISHING TOURNAMENT

Working Not Working February 24, 2014

WORK: WORLD'S LARGEST ICE FISHING TOURNAMENT


Jenn Ackerman + Tim Gruber, WNW Member #1505, are a husband and wife photography team based in Minneapolis. They specialize in a raw, authentic approach to capturing real people for a variety of clients including The New York Times, ESPN, Esquire and TIME. Here, Ackerman + Gruber tackled the World's Largest Ice Fishing Tournament on behalf of NBC. Take a look.

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Tags Ackerman, Gruber, Minneapolis, Photographer, NBC

MEET #2526 JUSTIN MALLER

Working Not Working February 21, 2014

MEET #2526 JUSTIN MALLER


Illustrator • New York City

WNW Member #2526 Justin Maller is a formidable illustrator who has worked with top brands like Nike, Verizon, Martini, Dolby, Grammys, Coca-Cola, ESPN, Universal Sony Pictures, and the list goes on. We spoke to Justin about how he spends his free time, and when it's the right time to grow a winter beard. Check out Justin's illustrations below.

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1. How long have you been freelancing?

8 years full time.

 

2. Is there a time or place that you feel most creative/have the best ideas?

Ideas - shower. Most creative - exactly 2 hours before I have to stop working for the day :(

 

3. What's your ideal Working:Not Working ratio?

80% Working - 10% Beach / Forest - 10% Apartment Vegetable

 

4. Do your parents understand what you do?

I'd like to think they get it at this point.

 

5. What scene from a movie makes you laugh just thinking about it? 

"Don't eat a sponge."

 

6. If you were stranded on a desert island, with your computer, what 3 websites would you take with you? 

Grantland, my Fantasy Basketball site & Instagram

 

7. What do you do when Not Working?

Cook & binge TV with my lady Ting, play with our dog Frank and grunt heroically at the gym.

 

8. Do you have a hidden talent?

Elite breakfast sammich skillz.

 

9. Any tips or advice for fellow freelancers?

Don't start growing your winter beard in October - that's too soon. It will peak in late December prior to when it's most needed and will prematurely wear out it's welcome with your face and loved ones. You'll be cold in February. I'm cold.

 

10. What's your favorite thing on the internet this week?

Definitely this photo of Drake at the NBA All-Star game where he figured he was cool enough to sit with the dunkers, only they froze him out and left him precariously perched on one cheek. Ha!


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In INTERVIEWS Tags Justin Maller, Illustrator, NYC, MEET

WORK: NIKE + YEEZY = RED OCTOBERS

Working Not Working February 18, 2014

WORK: NIKE + YEEZY = RED OCTOBERS


WNW Member #2782 Shane Griffin was commissioned directly by Nike to work on the all-red colorway Yeezy II’s, dubbed ‘The Red Octobers’. He created the environment and textual elements. The sneakers were photographed by Sun Lee. 

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Tags Shane Griffin, Designer, Director
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NOT WORKING: MAKING DESIGNER CHOCOLATE

Working Not Working February 14, 2014

NOT WORKING: MAKING DESIGNER CHOCOLATE


In the spirit of Valentine's Day, we interviewed WNW Member #3099 Matt Even about his company, Chocolate Editions. Matt shares the secret recipe to how he and his wife, Mary, started their stylish sweets brand. Grab a bar for your valentine on the way home tonight. 

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How did you get started in the chocolate industry?

Sort of by accident. A few Holidays ago we made a Chocolate Scrabble bar for presents, which got us a cease and desist letter. For us, that was an indication that we might be thinking in the right direction.

 

What's your process like?

It's pretty organic. We're always messing around with flavors and packaging ideas. Things just kind of happen.

 

Why did you start Chocolate Editions?

For us, it's important to have a non-client based creative outlet. So much of what we all do is about collaboration and compromise, and in that it's easy to lose sight of what you like, what you think. 

 

What are your plans for the future?

We would like to expand into cookbooks and things for the kitchen.

 

Do you listen to the Willy Wonka soundtrack during production?

Ha! No Willy Wonka tunes, but music is key. If the vibes are right, then the sweets are tight.


Milk to White Bar

Milk to White Bar

Neapolitan Bar

Neapolitan Bar

Tangerine Stripes Bar

Tangerine Stripes Bar

Strawberry Bar

Strawberry Bar

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Chocolate Pie Chart
Sleepy Jones Egg

Sleepy Jones Egg

Sleepy Jones Egg Carton

Sleepy Jones Egg Carton

Fair Ends Edition

Fair Ends Edition

SHINOLA EDITION

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Tags Matt Even, NYC, Valentine's Day, Chocolate, Art Director, Chocolate Editions

WORK: RALPH LAUREN ART WALL PROJECT

Working Not Working February 13, 2014

WORK: RALPH LAUREN
ART WALL PROJECT


WNW Member #2487 Jonathan Bartlett just tackled a pretty big job. The proof is, well, incredible. Jonathan created a mural spanning the entire Denim & Supply, Ralph Lauren building, located at University Place and 12th Street in NYC. Pictures are one thing, but if you can go see it for yourself.

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How did you get involved with Ralph Lauren? 

Ralph Lauren was initially in touch with a few mentors of mine which I believe led to my name being thrown around. After the standard vetting process we had a great first meeting and things took off from there.

 

How long did the planning and the painting take? 

For a project of this scale it was relatively short. I signed on at the end October and we just launched the final product the first week of February. From day one the clock was ticking and everything else was put to the side. I make pictures all the time, but with this project had so many different things to consider; window displays, T-shirt designs, in-store displays, to name a few. I had very little time to doubt my own ambitions, so in reflection the tight deadline was probably a good thing.

Before

Did you paint it yourself of did you have help translating it to the wall? 

NO! That would have been a disaster. I am incredibly lucky that we were able to partner with the world famous Colossal Media (Skyhigh Murals) to do the painting. Colossal is amazing, I can't stress how great it was to work with those folks. True artists. Much thanks goes to Jason Coatney, the lead painter. If it were not for him, this thing never would have come together so well.

Jonathan in the studio with the team from Skyhigh Murals

Have you ever done anything this big before? 

Absolutely not. The one project that comes to mind was when I illustrated a poster for the NYC MTA. Seeing my illustration throughout the subway system felt (and is) really big, but then this opportunity came along and the scale, literally and figuratively, got turned way up.

 

What was the biggest challenge? 

The biggest challenge was not what to make pictures about, but how it would fit on the building. Working to design an effective composition with meaningful content all the while thinking “ Does that face fall in a crack? How far apart must these flowers be to avoid a doorway? That would look good, but there’s a sculpted wall ornament in the way…”. In the end I was able to use those things to my advantage, it just took some mathematical-like problem solving to get to that point.

 

What other pieces did you do for the project? 

There were so many things. What was great about this project was the ability for me to break out of the box of what illustration can be. It was by no means just pictures on paper, which you can see from the list below...

-Mural for the exterior

-Window concepts which link directly to the content on the wall

-8 conceptual assemblage sculptures, such as the bowler hats with floral growth

-2 new illustrations as window back drops

-2 T-shirts, female and male

-2 scarfs designs made from T-shirt art and other project elements

-4 short animations for Instagram video

-Store signage

-(yet to be released!!) Ad campaign posters for project promotion. (really excited for this, it's going to be sweet.)

How was it different creating the image for the wall vs. print or digital? 

Honestly, because I didn't have to literally get up on a lift and paint the wall myself nothing about my process had to change. Kind of rehashing your earlier question, the only major difference was considering all of the obstacles that could ruin the image. It was much more complicated than worrying about a page gutter or headline to work around.

AFTER

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Tags Jonathan Bartlett, Illustrator, NYC

WORK: CAPTURING THE OLYMPICS

Working Not Working February 13, 2014

WORK: CAPTURING THE OLYMPICS


Photographer and brand new WNW Member #2994 Mike Powell has photographed 13 Olympics, both the Summer and Winter Games, and has the scars to prove it. Mike was generous enough to let us in on some of the unforgettable experiences he and his camera have shared over the years.

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How did you get into sports photography?

I started shooting local running events, mostly x-country races when I was about 13. Then started working as a darkroom and photo library apprentice at the age of 16 with Allsport photography in the UK (much later to become Getty Images Sport). I had followed sports photography for a long time mainly because my brother Steve had started as a photojournalist then sports photographer himself. Despite his pleas for me not to enter the biz, I went for it anyway.

 

What was your first Olympics and how did you get that break?

At the age of 19 I went to work at a new Allsport office in Los Angeles the year after the LA Olympics. I was part of a small team that built that business up and as such was shooting a lot of prime events at a very young age. Calgary was my first Games in 1988; I was 23 yrs old. Being affiliated with Allsport was the key. We had a very good relationship with Olympic sports and the IOC and became their photo agency shortly after that period.

What's your typical day shooting at the Olympics?

Winter Games can be the grinders if you are covering Alpine ski racing and want to shoot anything else. Course freeze for photogs can be up to 90mins prior to the race start. So if you want to scout the course that means waking up at 5'ish for breakie and commute, being on the hill 3hrs prior to race, skiing the course a couple of times and then getting in position, shooting the race then hustling down the mountain and editing or delivering cards to an editor. Then off to an afternoon event within striking range and probably finishing with an evening event like speed or figure skating around 10.30. Just in time for dinner and beers at the hotel before doing it all again the next day. 

There are so many great photo opportunities at a Games that you feel like you are missing something important if you don't have an event in front of you and a camera in hand. I usually hit a wall around Friday of the first week, have a little lie in then push through to the end, although the walls seem to becoming a bit harder and more often these days!

What's your set up?

I really like large files and prime lenses so I shoot a lot with 2 x Nikon D800's. 24mm f1.4, 35 f1.4, 50mm f1.4, 200mm f2, 400mm f2.8. 14-24 f2.8 zoom and 70-200mm f2.8. I'll use a couple of Nikon D4's when I need a fast motor drive and quick follow focus.

A lot of guys love remote cameras and get some very good pics from them but I honestly never enjoyed that aspect of sports photography. If I didn't have the camera in my hand it didn't feel right. But that's just me, maybe I'm lazy and didn't want to deal with all the engineering.

 

Are there any unique challenges shooting the Olympics vs. other sporting events?

Lots, quite often you are showing up at a stadium you've never worked in before and have arrived late from another event. You have to figure it all out and find a spot to work that hasn't already been taken by photogs that are only covering that event throughout the Olympics. Sometimes you need to get there very early to request a place to work or get a limited amount of tickets that are assigned. A great assistant or office in the MPC (main press centre) can really help.

Sleep or lack thereof, trying to get yourself motivated and focused on doing your best work in the second week when coffee no longer works can be really hard. Being tired all the time is a drag. It takes me weeks to fully recover from an Olympics.

What's the most challenging event to shoot?

I still think the men’s downhill is one of the hardest. It's the blue ribbon event of the Winters and these guys are busting 80+mph down a course where the best pics usually require a very long lens and shooting a low ridge line angle that means you don't see them coming. Even the modern cameras still struggle with this and it can come down to shooting a single frame. And just to make it more exciting the winner usually takes a slightly different angle than everyone else. I'd be lying if I said I always nail it. 

What are some of the most memorable events/individuals you've photographed over the years?

My first Summer Olympics in Seoul, Korea was a good one, the first one always is. That was when we shot film and pulled focus, remember that? At the men's 100m final I shot it on a Nikon 200mm f2 with an F3 body I think. When Ben Johnson and Carl Lewis hit the line I started shooting hammering the shutter and pulling focus. I popped the film out and figured I either got then all sharp or all unsharp. Well 10 out 13 frames wasn't bad back in those days. Come the closing ceremony I was an emotional wreck, could hardly shoot a frame, I just wanted it to go on forever.

The L'Alpe D'Huez stage on my first Tour de France in 1995, can't remember any of the pics but the scale of that day is immense. Following the Tour into Paris on a motorbike and going up the Champs Elysee on the final day, very emotional for the riders and the photogs. 

Mike Powell (my name sake) breaking the oldest record in Track & Field. He set the new WR for the long jump at the 1991 Tokyo World champs and my pic of him doing it was on the cover of Sports Illustrated. It then became a Jeopardy question, so yes I really am famous.... :-)

The athletes I've met and had more than a passing relationship have been great: Michael Johnson (Olympic & World champ 200/400m), Picabo Street (Alpine ski racer, Oly and World Champ), Mike Powell ( World Long jump record holder) and more recently I've been to Jamaica to shoot Usain Bolt the worlds fastest man (Oly and World Champ + WR holder), very genuine bloke and fun to work with.

What's your favorite Olympic image you've taken?

I really don't have a favourite picture or favourite sport to shoot. I'm more into the body of work. View Mike's full Olympic gallery.

 

Being there live has got to be an incredible experience. What's one thing about the Olympics we could never get by watching them on TV? 

I don't often cry at a sporting event, but when I do it's because I'm at the Olympics.....for all kinds of reasons.

Do you prefer shooting the Winter or Summer Games?

I love being up in the mountains for the Winter Games but I think there are always more opportunities for different and interesting work from the Summers.

Do you ever get caught up in the emotion of the moment?

Yep, see above. It's got to be pretty special these days to get me pumped, I think I burnt my adrenal glands out a long while back but I love when I get carried away by it all. I just have to try and stay present to shoot the pics.

What are your thoughts on the Sochi games?

Well for only the second time since I started shooting the Olympics I'm at home watching it on TV with my family. I've enjoyed the sport but haven't seen any iconic images yet. Sometimes they are just not there but it's early days yet and a lot of talented photographers are working their asses off to try and make one.

See you in Rio!

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In INTERVIEWS, EVENTS + CULTURE, WORK Tags Mike Powell, Photographer, Olympics, Sports, Washington
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MEET #1483 DANIEL NYARI

Working Not Working February 10, 2014

MEET #1483 DANIEL NYARI


Illustrator • New York City

WNW Member #1483 Daniel Nyari moved from communist Romania to Austria before ultimately taking his illustrative talents to New York City. We talked to Daniel about finding an identity amidst familial and cultural pressures, while striking a balance between working and not working. 

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1. How long have you been freelancing?

I've been attempting freelancing since 2004 and only successfully so since late 2012. 

 

2. Is there a time or place that you feel most creative/have the best ideas?

Like most freelancers I feel more productive in the evening and there's a reason for that. When I worked full-time I got used to working after 5 or 6pm into the night. When I started freelancing fully it just carried over. Nonetheless when I wake up, my brain tends to still remain somewhat in hybernation so I created a system where I do a lot of the repetitive stuff that doesn't necessarily require me to be "creative" and as the day progresses and I have enough cups of coffee I tend to move on to projects that require a little more creative attention. When ideas hit me tends to be random. I can sit, lay down in bed, I can be out shopping for groceries, I can even be in the bathroom but ideas come clearest to me when I am most relaxed and not burdened with numerous deadlines and related concerns.

 

3. What's your ideal Working:Not Working ratio?

This depends entirely on how much money I can get from a specific amount of work. If I am working on one or two projects a week that don't require me to seek out more work I am comfortable allowing myself free time to do personal projects. The ideal scenario is a 50/50 Working/Not Working ratio with the working client section financially secure. The reality is that on average it's been 90/10 Working/Not Working for me. I'm also a workaholic and like the challenge of pushing myself with multiple projects.

 

4. Do your parents understand what you do?

No. I can try explaining it to them and they will just understand that I draw images and some of them end up in magazines and some on websites. They don't understand the industry or the concept of freelancing to a full extent. They are old school former soviet-satellite traditionalists coming from completely working class backgrounds. Most creatives seem to have parents who were into the arts or have some kind of background that allowed them to guide their children towards the profession. I never had that luxury. Nor did my parents ever really encourage me to pursue the arts or rather they were entirely indifferent as long as I would bring money to the family. As a result; whatever progression I've made came as a direct desire to be completely opposite of what my parents represent or have known growing up.

 

5. What scene from a movie makes you laugh just thinking about it? 

The Bobby Peru/Lula Hotel Room Scene from Wild At Heart.

 

6. If you were stranded on a desert island, with your computer, what 3 websites would you take with you? 

Only one. theonion.com so I can get all my world news.

 

7. What do you do when Not Working?

Usually working on personal projects. My personal projects list is enormous and always growing. While I'm a commercial illustrator, I don't like the idea of being one most of the time so I try to find comfort in the illusion of being a real artist who has complete control over his content and style.

 

8. Do you have a hidden talent?

I'm a football (soccer) fan and have been since I was five so I have an extensive knowledge of the sport and its tactical philosophies. 

 

9. Any tips or advice for fellow freelancers?

If you're starting out, make sure you develop a style that is distinctly you and you in every decision you make throughout the creative process. Do and treat personal projects with the same importance as paid projects. And do what you love or tackle subjects that interest you and if they are good you will attract clients who will want to pay you for something similar. 

Learn to pace yourself and more importantly how to predict the time you will need for particular projects and the more efficient work management will become.

Also, don't underestimate the power of social media. 

 

10. What's your favorite thing on the internet this week?

My favorite thing on the internet this week are over 14,000 images of the French Revolution finally released online. http://frda-stage.stanford.edu/en/images


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In INTERVIEWS Tags Daniel Nyari, NYC, Illustrator, Soccer, Sports
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