Gordon explains diversity in advertising with the same passion that goes into explaining new ideas. Our conversation about his background quickly moved into the steps that advertising needs to take to become more inclusive and I think it’s all the better for it. For agencies looking to make some serious change, Gordon practically lays out the blueprint that will help the creative world change for the better.
Read MoreWhat It Takes to Run an Agency, In the Eyes of Mojo Supermarket’s Mo Said
In the nearly three years since Mojo Supermarket has existed, the agency has hacked the Oscars, declared baseball dead for Adidas, and even designed a toilet for bad advertising. Each of its projects gets more attention than the last, and Mo wants it to become a home for creatives looking to make the most unique work of their career.
Read MoreHow Ray Smiling Adds Destruction Into Creativity
Ray Smiling speaks about creativity as if it were a recap of a Transformers fight. It’s about creating and destroying, it “needs more explosions.” He’s the kind of Creative Director that you want to have if you’re into advertising. His ability to think outside of the box, and encourage other creatives to do so, is well-documented.
Read MoreMission Uncomfortable: Embracing the Breakups & Breakthroughs of Creativity
I wasn't following up on my own work – which is awkward to say, but I don't think the majority of people in this industry do. My old style was to hand it off and hope for the best, largely because the deliverables were designed for that. Lately, I don’t hand off and hope.
Read MoreIWD2019: Deva Pardue Discusses the Allure of Design, The Wing, & For All Womankind
Deva Pardue discusses the allure of design, the project she’s proudest of (an accomplishment both creatively and morally) and her ultimate goal: “My dream project is to design the brand identity for a political campaign!”
Read MoreIWD2019: Billie Creative Director Noemie Le Coz on Solving Problems Through Creativity
Noemie Le Coz discusses her early interest in design, her latest venture as Creative Director of Billie, a female-first body shave brand, and why the future for creative women is brighter than ever. “I'm seeing so many female creatives emerging every day that are doing things I'm so excited about and proud of.
Read MoreWant to Work at Digitas? Brent Eveleth Talks Elastic Thinking, Boston, & More
Brent Eveleth, Creative Director & SVP of Experience Design at Digitas, shares what he looks for in prospective hires, what it takes to succeed at Digitas, & why Boston will probably never get the credit it deserves for its strong, creative community.
Read MoreSinan Dagli & BSSP Give Kevin Garnett Another Shot in 2K18 Ad
The NBA Playoffs are here. But current players on lottery teams aren't the only ones bummed to be missing out on the glory. What about all of the retired champions, like Kevin Garnett, who can almost taste their past victories? Below, WNW Member and BSSP's Associate Creative Director Sinan Dagli tells us about NBA 2K18's latest campaign, "KG's Back."
Read MorePablo Rochat's Instagram Hacks Are Works of Postmodern Art
Pablo's Instagram hacks, pranks, and disruptions are easily digestible in this age of ADHD, and easily releasable. Pablo also discusses the craft of using Instagram's guardrails to his advantage, whether he takes his pranking spirit offline, and what it's like to get paid by major brands to cause some 24-hour mayhem.
Read MoreHow Not Working Can Lead You to Resolve
We have a very real opportunity before us to champion a better way to communicate—one that allows us to use our softer reasoning along with our fierce strength as a more complete toolkit for connecting with people. That is resolve.
Read MoreThis Designer Approaches Design With The Seriousness It Deserves
"Look at my work if you want to know about my creativity; great design is great because it speaks its truth to you through visuals." This is what it sounds like when a designer takes the artform and practice of design with the seriousness it deserves. In our interview below, WNW Member Alex Engzell takes us on a tour of his unwavering path toward a career in design, one he dropped out of high school to pursue.
Read MoreLaShun Tines Spotlights The Art of Blackness
There's a growing movement for inclusive policies in a wide range of fields. But Art and Design, while typically more progressive, are not where they need to be as industries. And Advertising is lagging even further behind. It's what initially lead WNW Member and AIGA Chicago Diversity Lead LaShun Tines to start The Art of Blackness exhibition in Chicago five years ago. And it's still one of the few, if not the only, national group art shows dedicated to furthering the presence of African Americans in the fields of art, design, and advertising. One of its key goals is highlighting potential heroes for younger creatives. "Familiarity and exposure to our heroes in the art and design space is an unspoken issue affecting African American artists. As a result, the aspirations of our artists can be limited. We try to introduce our audience to African American trail-blazers to serve as inspiration and as an example that the possibilities for African American artists and designers are endless."
Read MorePinterest Fights to Right the Ratio
Working Not Working has partnered with Pinterest on their new initiative Right the Ratio, which aims to empower the next generation of creatives to overcome inequalities in the industry. Right in time for Women's Equality Day (8/26), Pinterest is kicking off the campaign with a focus on gender inequality, highlighting some of advertising's most accomplished women and their unique perspectives on what needs to change. For starters, while women make up 46% of the ad industry, only 11% of Creative Directors are women.
Read MoreMeet the WNW Members Named to Adweek's 2017 Creative 100 List
Congratulations to the Working Not Working Members and all creatives and artists named to Adweek's third annual edition of the Creative 100. The annual list celebrates "the masters of creativity" and "profiles 100 unique and fascinating problem solvers from the worlds of advertising, branding, media, technology, pop culture and more." Get to know the names and work of the featured Working Not Working Members below.
Read MoreCreative Mark Moll Reminds the Industry that Ideas Know No Age
Creative Mark Moll Reminds the Industry that Ideas Know No Age
MIKE O'DONNELL / EDITOR
WNW Member Mark Moll has been in the advertising industry for over 20 years, which is long enough to notice a lot of its positive and negative trends. One particular subject perhaps became even more apparent with each year Mark got under his belt, and that's the deep-seeded role that ageism plays in the behind-the-scenes of advertising. Mark's latest project "Ideas Know No Age" aims to put the emphasis back on the ideas that drive the industry, not the chronological ages of their creators.
It's ideas that first lead the 51-year-old creative director into this industry and what continues to keep him invested in it. "What I like most about what we do is ideas that stop people and ask them to engage. Sure it has to connect emotionally, but now I think people just want to see interesting things in the world they can participate in. That’s what gets me going as a human being first and a creative second. Good ideas just make life more fun."
In our interview below, Mark tells us why sharing his own age was an important element of this project, whether he thinks lists of the "30 Under 30" and "Young Guns" can exist without being detrimental to the way older creatives are perceived, and what experienced creatives should do to become even more indispensable: "Whatever age you are, you should be curious about everything in the world we use to communicate. This is your livelihood so please stay in the know... Also, ideas aren’t about the tech, but they can help us amplify or distribute them. Everything still needs an idea first and that’s what anyone at any age should stress through their work."
Tell us a little bit about your creative background. Who is Mark Moll and how did he get here?
I’ve been in the business over 20 years. Have seen it evolve from the days of print, radio, and broadcast to one where everything in the world is fair game to use in our communications. Digital sure, but I honestly think experiential is the most exciting. What I like most about what we do is ideas that stop people and ask them to engage. Sure it has to connect emotionally, but now I think people just want to see interesting things in the world they can participate in. That’s what gets me going as a human being first and a creative second. Good ideas just make life more fun. That’s what’s cool about what we do and why I like doing it.
What lead you to create “Ideas Know No Age”, and what is its primary message?
Good question - The first is obvious - my age. I’m 51 and will be 52 in July. I have no problem saying how old I am. Maybe it’s because I look like I’m 44. Ha. Also maybe it’s because age is something no one talks about. I’m proud of it. I also can’t do anything about it. No one can.
The primary message is that age doesn’t matter one bit in the creation of ideas. They say advertising is a young person’s business and that they know about the latest tech and that makes them more in tune. Blah Blah Blah. Advertising is for the curious no matter what age you are. My idea was to use great accomplishments that are great on their own regardless of how old the person was when they did it. The age of the person just makes them stand out more.
Ideas Know No Age does a great job of addressing troubling industry trends with a campaign that focuses on great work. Was that a tough balance for you, to address this negativity with positivity?
Thanks for those kind words. Maybe I was just trying to state a fact. Not purposely using positivity, just showing how misguided focusing on age is. A friend of mine just told me that a designer at Apple is 81. That’s great. And the ideas I highlight show that age is a non-factor. And just to state this for no other reason than this thought just came to me - this is not an anti-young campaign. Everyone highlights those feats. "They founded a billion-dollar company at the age of 9", etc. This approach is just proving that older people don’t stop thinking just because they hit the age when someone might hand them an “Over the Hill” balloon for their birthday.
Can you share some of the other challenges and breakthroughs that came with this project?
Well I’ve been thinking about this for a while and it was gonna be an Old Guns type of ad competition that was only open to people 50 plus and they had to solve something just using a billboard, but I didn’t know how to pull that off. That evolved into something cleaner with just a simple message. Breakthroughs? Well a lot of people I didn’t know reached out and said thanks. One called it brave. That was kind, but I was just being honest, not brave. Ted Royer was nice enough to share it. Nice guy, meant a lot.
One person had an interesting comment - he said everyone will have to deal with ageism sooner or later. Which is very true. This isn’t just reserved for older creatives, everyone else will join in soon enough.
Do you think that with the “age of information,” there’s a perception that the value of an individual’s wisdom and experience has been diminished? Or is it more just financially motivated to hire the younger creative with a lower day rate?
I hadn’t put those two together, but you may be right. But everyone has their own experience and knowledge and that’s what people ultimately want on a project. Interesting individual perspectives make us who we are. The lower rate is an argument I’ve heard and even had a conversation about this with someone my age. My counter to that is where is it written down that just because we have experience do we automatically get paid more. That’s false thinking. We should be paid on what people think we are worth and what’s in the budget. And we should be open to negotiating that. I look at every opportunity first and the pay second. Not the other way around. Why older creatives or anyone older in this business think they are entitled to a certain salary might be part of this perception problem. Older creatives demand more compensation and that’s not right either. There has to be a balance.
At what age did you first start noticing ageism in the ad industry, either firsthand or toward others?
I haven’t really noticed anything directly. Seriously. It has just always been part of the ad industry in thought and lore. I have heard from a friend who is much older than me and still works a lot that there is an unspoken element to their conversations with recruiters. Actually, now that I think about it, I do get a little worried when recruiters ask for my birthday to book a flight to go visit an agency. So maybe it’s there and I didn’t realize it. Ageism is a society thing and as more and more people enter the second stage of life and stay active, it will remain a topic.
Do you see a lot of ageism in ads themselves? Or do you feel that it is more of a behind-the-scenes problem?
I think it’s more of a behind-the-scenes problem. Maybe more of a focus on the shiny penny around young creatives and the hot new campaign they just completed. But that’s BS too because anyone feels the heat when they do something cool that people like. It’s been interesting to see the reaction to “Ideas Know No Age.” Someone actually asked me if I was gonna say my age when I did it. That was the whole point. The other thing I should mention is a lot of older people have risen the ranks and have their names on the door or the big title. So maybe there’s a perception that if you’re not that then you must not be good or haven’t done great work. Both of which are completely false. Everyone finds their place in this business.
What advice can you offer to older creatives who are constantly battling this lazy notion that if you’re older, your ideas won’t be as fresh?
Prove them wrong. Stop listening. And prove them wrong again. Whatever age you are, you should be curious about everything in the world we use to communicate. This is your livelihood so please stay in the know. And learn how to be fast on the computer and be able to share ideas within hours. Things zip along and everyone has to keep up. Also, ideas aren’t about the tech, but they can help us amplify or distribute them. Everything still needs an idea first and that’s what anyone at any age should stress through their work.
Ageism takes up a much smaller space in public discourse compared to other -isms. Why do you think that is? And what’s been the response to this project thus far?
No reason really, maybe it’s just that we needed to tackle the other ones first. They should all have equal weight or their day in the sun, but that’s more about what happens in the universe as things come into focus. Both online and in life events. It’s important, but maybe it’s more up to the individual to be strong and make their own case. I mean, AARP is an advocate for older folks, maybe they will tackle ageism on a big scale one day. The response has been unexpectedly awesome. I had hoped it would strike a chord, but it went much deeper than that. Maybe it was because I put myself out there and called out my own age. Being from a person and not an organization could have made it more relatable. Just spitballing here.
Do you think there’s a way for honors like the “30 Under 30” and “Young Guns” to exist without being detrimental to the way older creatives are perceived?
I wish there was, but their very nature makes that hard. But it’s not just in our industry. Pro athletes experience ageism. Of course Hollywood deals with it. And so on. To me, the only way to even it out is to have places that celebrate it. 50 over 50 lists. Old Guns. Etc.
What do you do when Not Working?
Hang out with my family. Watch Red Sox games. Run. Play with my cats. Watch the latest show and try to catch up on one I missed. Golf. Watch Red Sox games.
Who are some other “Old Guns” on WNW whose work you admire and why?
I don’t know anyone’s age so I don’t know if they are old guns, but I know a lot of creatives and admire anyone who can keep a career in this insane business going.
Anything else you’d like to add?
I appreciate the opportunity to shed a little light on the subject of ageism. Hopefully, this campaign will open some eyes and help older creatives be perceived differently. To be honest, if it helped one person not be ashamed of how old they are then it was successful.
Are you a WNW Member with new work, exhibits, products, or news to share? Email us!
How to Channel Your Social Channels into Client Work You Want
Social media is as important to your portfolio as anything else. Whichever platform you engage with, it’s where agencies and recruiters go to find out what you're up to and who you know, even before they look at your work.
Read MoreWhat It Takes to Get Hired at FOUR32C
What It Takes to Get Hired at FOUR32C
Mark Jarecke moved to New York City in the early 90s to pursue a career in modern dance choreography. Now he's the Founder and Creative Director of digital design studio Four32C. Mark discusses this transition, what makes Four32C a unique studio, and why the work you do when not clocked in is so important: "We’ve nurtured a culture of curiosity. It’s important to us that we don’t rest on pretty or settle for the easy road. Whenever I’m talking to potential hires, I’m much more interested in the ideas and experiences they bring that aren’t related directly to their professional work."
Mark also goes into what keeps him creatively inspired, from teaching and studying yoga, to the searching mind of John Cage. "[He] taught us to really see the world around us, everything is already present if we just listen and pay attention. We don’t have to try as hard as we think we do. As designers and creatives, possessing strong observational skills and understanding that power is very inspirational to me."
Tell us about your background and your career journey.
I studied dance and philosophy at the University of Nebraska (Go Huskers!), then moved to New York City in the early 1990s to pursue a career in modern dance choreography. While I was taking classes at Merce Cunningham Studio and showing my choreographic work at downtown venues, I worked part-time at the Laban/Bartenieff Institute of Movement Studies (LIMS), helping them with tech support. Back then, tech support meant connecting Mac desktops through LANs or setting up printers, but the experience gave me a good foundation for what would become a career in design and digital technologies.
After working at LIMS, I eventually landed design jobs at both small and not-so-small digital agencies in New York, which led to becoming a designer (then creative director) at Condé Nast Digital. These were early days of publishing websites and I had the opportunity to lead the creative teams that designed and built CN websites such as Style.com and Epicurious.com.
How did you end up starting FOUR32C?
After nearly 8 years of leading the creative teams at Condé Nast Digital, I decided to jump ship and start my own design studio in 2009. I met and worked with many talented people at Condé Nast Digital, and I was fortunate to have former CN colleagues Mike Lee, FOUR32C’s Design Director, and Elizabeth Stafford, FOUR32C’s Director of Strategy, join me at FOUR32C.
Describe FOUR32C in 3 words.
Question. Design. Make.
What does the name refer to?
The studio is named after a Pantone color that I like.
What about the culture of FOUR32C makes it an ideal place for potential hires to work?
Mike, Elizabeth, and I pride ourselves on the fact that we’ve nurtured a culture of curiosity. It’s important to us that we don’t rest on pretty or settle for the easy road. Whenever I’m talking to potential hires, I’m much more interested in the ideas and experiences they bring that aren’t related directly to their professional work.
I think many design skills can be taught, but having a point of view and passion are inherent in someone or they’re not. I always say that I like to hire people who’ve worked outside of the industry because they bring new perspectives without the baggage of assuming that there’s one way to do things. I especially like working with people who studied fine arts or have worked as artists or non-commercial researchers. People who are quirky and maybe a little bit bookish are the kinds of people who do well at FOUR32C. Plus, people who like to eat and like champagne.
What qualities are most important in a prospective hire?
A solid, thoughtful portfolio is a given, but creativity that goes beyond the portfolio—whether it’s a freelancer who likes travel or is a trained chef or writer or actor—those are the kinds of qualities that are exciting. Hard-working, curious, has a critical eye—those, too, are admirable qualities.
Which social networks do you prefer for stalking people, creative or otherwise?
Online portfolios are great, but I think Instagram is a terrific way to get a peek into what creative people are really like. Whether it’s a carefully curated presentation of their lives or it’s messier and more organic. The balance of words and images on Instagram offers an interesting peek into a creative person’s life. Plus, I’m always interested to see who they follow and who follows them.
What are you looking for in the portfolio of a potential hire that's unique to FOUR32C?
To start, I’m always interested in a careful consideration of typeface choices, coupled with a strong command of grid that is consciously broken. I appreciate patterns and scale choices, too. But I think what makes FOUR32C different is looking at the content of portfolio projects. What are these candidates thinking about besides type and grid? If they are thoughtful, passionate or have a weird streak, all the better.
How much time do you spend on each portfolio? And how long before you make a gut reaction on the portfolio?
It’s pretty quick. I usually get an immediate sense of who this person is and whether or not I want to know more. Starts with the gut first. Then the eye comes in and analyzes the choices they made. When first looking at a work by a designer, I notice where I look first, second, third to see if the designer understands how to call out hierarchy and guide my eye.
What do you judge first?
Taste. Everyone at FOUR32C needs a good sense of taste. Everything else can be taught.
What kind of talent makes you warm inside?
I’d say talent outside of design. If they’re interested in music, architecture, food—I’m interested in them.
What are some poortfolio trends you wish would go out of style? What drives you nuts, and what do you love seeing?
Over-designed resumes are terrible and I’m not a fan of SquareSpace portfolios. Either code the site yourself and let that be part of your portfolio or put it on WNW.
What's the best piece of advice you can share about portfolios, personal websites and resumes?
Show who you are as a person. Your interests and passions. The projects you choose to do are just as important as how well you did them.
What’s your favorite part of the job?
I really love starting with nothing and finding my way to a solution that ultimately seems obvious. Of course, it isn’t obvious, but when all research ends up pointing to a concept and a design language that holds together completely, that’s exciting.
What’s your creative outlet?
Yoga.
What do you do when you’re not working?
I have a nine-year-old son and a 16-month-old daughter, so when I’m not working, I try to spend as much time with them as possible. More often than not, we end up eating or cooking together. I also teach yoga and specifically the Rajanaka philosophical tradition is something that I’m trying to learn more about.
Who's your most significant creative or entrepreneurial inspiration?
John Cage taught us to really see the world around us, everything is already present if we just listen and pay attention. We don’t have to try as hard as we think we do. As designers and creatives, possessing strong observational skills and understanding that power is very inspirational to me.
Anything we didn't ask that you'd like to add?
Yes, I can do the splits (both ways).
HILLARY COE ON DRAG RACING, FLYING JETS, & HARRISON FORD
HILLARY COE ON DRAG RACING, FLYING JETS, & HARRISON FORD
We spoke to WNW Member #2984 Hillary Coe about her experiences modeling, drag racing, flying jets, hanging out with Harrison Ford, empowering women through advertising, and looking to the uncharted territory of virtual reality, augmented reality, and home connectivity. Yes, she's done all of that. Which made us wonder if she's dipped her toes in cloning as well. And which of these endeavors Hillary was in the middle of when she took the time to chat with us. How fast was she going? Did she have Harrison guest answer a question? (Is it virtual reality or augmented reality that allows us to pretend to do all of this cool shit too?)
Tell us your story! Who is Hillary Coe and how did she get here?
I am a creative director, a hands-on designer, and a technologist. I build experiences, the products that bring them to life, and the stories that make the world fall in love with them.
Growing up I was (and still am) fascinated with technology and traditional art. I studied digital media in college (visual effects, motion graphics, film and advertising), which allowed me to seamlessly work across all mediums of the creative field. This includes film production (Anonymous Content), creative production (Hornet/Famous) my own creative agency (BoxEight), advertising (Chiat/TBWA/Media Arts Lab) and the creative tech world (Google).
In addition to my professional career, I hold a world record in drag racing. I appear on the cover of the world’s largest fashion magazines, and push myself both mentally and physically by climbing mountains, jumping out of planes and learning to fly.
Growing up, what did you want to be?
I wanted to be an astronaut. I fantasized about space and discovery of new worlds as I ran around the backyard in my underpants. I still romanticize the unknown up there, but with a slightly different lens now and more clothes on.
"I want to lick the gelato from Milan in late Summer with the violin gypsies and Parisian chainsmokers dancing on ships as they twist through Fjords under glowing northern lights."
Do your parents understand what you do for a living?
I used to chase my father around his agency when I was a kid - learning the letterpress and what that big Avid box machine did. I owe a lot of my storytelling to his never-ending openness to creativity. My mother is still upset I don’t make greeting cards.
What are some cities you’ve lived in, summed up in one sentence?
I want to lick the gelato from Milan in late Summer with the violin gypsies and Parisian chainsmokers dancing on ships as they twist through Fjords under glowing northern lights.
What's a dream place you’d like to move?
I would be satisfied never settling anywhere and always exploring. My inspiration pulls from the experiences outside of where work lands me, and I find it absolutely essential to my work (and growth as a human being) to seek that out.
You’ve been a successful creative director, designer, technologist, drag racer, model, and the list goes on. How does having such varied experiences impact your work?
I have this need to surprise, disrupt and hopefully inspire people to see things differently. If I wasn’t applying this to the rest of my life I would be dishonest.
How does one experience inform another? Do you apply insights from drag racing, flying jets, and modeling to your work as a creative director?
The psychology behind me seeking out those “experiences” is the same tension that drives me to constantly reinvent the way I tell stories. “Girls can’t race”. Bullshit. I spent every weekend for 2 years tossing wrenches with the right team until we broke records and made history. I see storytelling in this brilliant technological age the same way. There is nothing we can’t do, we just need to be smart, not fear change and have a damn good Creative Technologist backing us up (I recommend Hai Nguyen).
Are there any fields you haven’t conquered? If not, then next question. If yes, what are one or two things you always wanted to try your hands at but haven’t yet?
I want to invent new fields and conquer them. I want to take the sparks of magic in new platforms and shape them into the flaming powerhouses I see them becoming. Virtual Reality, Augmented Reality, home connectivity….there is a huge list of areas for creative influence yet to be defined. It is an exciting time to be a creative.
Work
“Real Time Advertising” won pretty much every award that ever existed. What was your involvement? Did you and your team know that you were onto something groundbreaking during development?
Twitter was winning and we were tired of every brand wanting to “re-create the Oreo moment” during live events. This was a perfect example of reinventing the way we saw advertising to meet the challenges of an ever-changing social environment. My creative role allowed me to imagine how this project existed in the world and how people used it. Ex: How could Nike provide an innovative experience on users' second screens when Messi scored a goal? Display ads were no longer something pushed on a user, they started a real conversation. That is the power of real-time advertising - it reflects real life as it happens, just like social media.
The adidas campaign “all in for #mygirls” addresses gender stereotypes on and off the proverbial field. I'm sure you have something to say on the topic of gender stereotyping.
The adidas campaign was very important to me - beyond my quest to tell real, authentic stories of girls all over the world kicking ass and taking names. Women who exist in male-driven worlds (including advertising) are rarely shown the perspective of other females fighting that same battle. I grew up a tomboy and seemed to be the only girl within 15 miles who liked to skateboard and swim in the ocean. If I had access to girls who shared those same passions I wouldn’t have felt so isolated- something a lot of women now feel in the workplace. The adidas campaign set up a community for girls to locate and set up their tribes online. I highly suggest to any young woman in advertising: find your tribe.
"If I had access to girls who shared those same passions I wouldn’t have felt so isolated- something a lot of women now feel in the workplace."
Harrison Ford still hasn’t finished building his WNW profile, but we still think he’s super cool. Did you get to meet Harrison and all of the voices behind the Conservation International's "Nature is Speaking"? Who most exceeded your expectations, or most surprised you?
I am truly inspired by how passionate and involved Harrison is toward this environmental crisis (he’s on the Board of Directors with Ed Norton). I respect all these actors: they have the eyes and ears of the world and volunteer that power for the sake of doing something good. One of them recorded a version based on a famous line they are known for and I wish we had permission to release it.
I’ll be sure to remind Harrison of his profile incompletion.
Do you have other causes you’re especially passionate about, that you’d love to work on in the future?
Any with truly good intentions. There is no better feeling than taking the skills and passions I have and applying them to ACTUALLY make a difference in the world. I just finished some work for the UN Climate Conference, and currently I’m lending a hand to XQ: who are rethinking the education system by empowering the right people to bring schools into the 21st century. Keep an eye out.
Inspiration & Advice
Who are some other WNW members you admire, and why?
Blake Kidder - One of the craziest creative minds I have worked with
Tim Geoghegan - Because he’s not afraid to cross dress on a casual Wednesday
What’s the best advice for a creative that you’ve ever heard? Do you have a favorite quote, or personal mantra?
Lee Clow: Make it smart. Make it beautiful. Have fun.
If a problem you are trying to solve doesn’t work within the constraints of the brief, the platform or technology--change the constraints. Be prepared to go to bat for it.
Learn. Don’t get comfortable. Know what’s out there. Find out who is doing cutting edge work. Watch lectures, go to conferences, attend dinners even if you aren’t particularly social. LEARN to be social.
Things you would tell your high school or early twenties self.
Stay weird and don’t drop out of that C++ class.
"I highly suggest to any young woman in advertising: find your tribe."
Bonus Round :)
What do you do when Not Working?
I’m learning to fly. Once you ride in an F-16 you’ll never look at the sky the same way again.
What song always gets you in the creative zone?
I’m not sure about creative zone but this question reminds me of that Kenny Loggins song I used to play before races.
Are you a WNW Member with new work, exhibits, products, or news to share? Email us!
MEET #30 TODD LAMB
MEET #30 TODD LAMB
Writer/Director/Creative Director • New York, NY
Worked at Google Creative Lab, Mother NY, W+K and Goodby. Created "Notes From Chris" and developed TV pilots and scripts for NBC, Adult Swim and Sundance Channel.
1. How long have you been freelancing?
Since 2007. Longer than I anticipated when I left a staff job that year. Now I see a larger shift where freelance/project basis is becoming the standard for creative people.
2. Is there a time or place that you feel most creative/have the best ideas?
Morning. I need coffee and silence to come up with ideas. Then I put on good music to grow those ideas.
3. What's your ideal Working:Not Working ratio?
70% Working on things I care about.
30% Not working.
0% Working at Halliburton with Dick Cheney.
4. Do your parents understand what you do?
I don’t strive for that. If I was looking for my parents approval, I’d be a dentist with a law degree.
5. What scene from a movie makes you laugh just thinking about it?
I’m a comedy nerd, so I’ll give you two: The scene in Woody Allen’s Broadway Danny Rose where he’s coaching a professional balloon folder. And the scene in Albert Brooks’s Lost In America where he’s begging a casino boss for his money back.
6. If you were stranded on a desert island, with your computer, what 3 websites would you take with you?
NYTimes.com (I subscribe to the paper and I read it online.)
My Google account (Google Docs, Chat and Gmail are the center of any production or project that I do.)
RobertPollard.net The man behind the band Guided By Voices. He has a thousand other musical side projects and spin-off bands. He makes his own album art with collages. He puts out like 12 albums a year, and never lets up. The guy is always making something new, and 95% of it is amazing. He’s a big inspiration to me.
7. What do you do when Not Working?
I do lots of other creative projects. I recently produced a female human being – my wife and I had a baby girl. So that’s a project I’m working on. I tend to work on it at 3:30 AM.
And I’m currently working on a web series with NYC fashion designer Rachel Comey. In April, we’ll start a livestream series featuring NYC’s best female comedians and storytellers. One performance per week will livestream on RachelComey.com. It starts on April 4th at 4pm with Starlee Kine (from NPR’s This American Life) and the next one is on April 11th at 4pm with Carrie Brownstein (Portlandia, Sleater Kinney).
8. Do you have a hidden talent?
After 13 years of meetings, I can spot the bullshit artists in two sentences or less. I call them “bad actors”. We’re all making it up as we go. But some people are better actors than others. The bad actors don’t offer much to the situation. If you’re not sure, a distinct sign is when they repeat what the guy before them said – but in vaguely different words.
9. Any tips or advice for fellow freelancers?
Don’t wear cologne. It’s nauseating.
10. What's your favorite thing on the internet this week?
Matador Records produced a music video for Kurt Vile’s upcoming album, featuring Steve ESPO Powers. It’s part music video / part documentary. The painted sign that ESPO made acts as three things: the album’s cover art, the music video, and the “commercial” for the album. I love the song and I love the idea. I’m usually only jealous of comedy, but I wish I did it.
Time lapse music video portion / Documentary portion
Notes from Chris
What started as a single note hung outside my apartment, became an online meme posted as far away as Australia. Featured frequently on Funny or Die and The Huffington Post, these are notes posted around NYC by a fictional character – a lonely man named Chris. Chris has lots of problems. He loves snacks. Visit the Pinterest board to see the gallery of notes I've created over the past four years.
Guided by Voices Music Video
A Guided By Voices video I directed for Fire Records. Featuring Jon Glaser from Delocated, Late Night With Conan O' Brian and Parks and Recreation.
Google+ Muppets
TV commercial for Google+ Hangouts. Created while at Google Creative Lab.